The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.Gomme, Alice Bertha
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The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
(_d_) It will be seen, from the description of the way this game is
played, that it consists of imitative actions of different events in
life, or of actions imitating trades and occupations. It was probably at
one time played by both girls and boys, young men and young women. It is
now but seldom played by boys, and therefore those verses containing
lines describing male occupations are not nearly so frequently met with
as those describing girls’ or womens’ life only. Young girl, sweetheart,
or going courtin’, marriage, birth of children, loss of baby and
husband, widowhood, and the occupations of washing and cleaning, exactly
sum up the principal and important events in many working womens’
lives—comprising, in fact, the whole. This was truer many years ago than
now, and the mention in many versions of school girl, teacher,
governess, indicate in those versions the influence which education,
first in the shape of dame or village schools, Sunday schools, and
latterly Board schools, has had upon the minds and playtime of the
children. These lines may certainly be looked upon as introductions by
the children of comparatively modern times, and doubtless have taken the
place of some older custom or habit. This game is exactly one of those
to which additions and alterations of this kind can be made without
destroying or materially altering, or affecting, its sense. It can live
as a simple game in an almost complete state long after its original
wording has been lost or forgotten, and as long as occupations continue
and events occur which lend themselves to dumb action. The origin of the
game I consider to be those dances and songs performed in imitation of
the serious avocations of life, when such ceremonies were considered
necessary to their proper performance, and acceptable to the deities
presiding over such functions, arising from belief in sympathetic magic.
At harvest homes it was customary for the men engaged in the work of the
farm to go through a series of performances depicting their various
occupations with song and dance, from their engagement as labourers
until the harvest was completed, and at some fairs the young men and
women of the village, in song and dance, would go through in pantomimic
representation, the several events of the year, such as courting,
marriage, &c., and their several occupations.
Public-domain text, read in full here on John Shaqi.
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