The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.Gomme, Alice Bertha
General
The Traditional Games of England, Scotland, and Ireland (Vol 2 of 2): With Tunes, Singing-Rhymes, and Methods of Playing etc.
Gomme, Alice Bertha
Folklore -- Great Britain; Games -- Great Britain
XII. Maggie Black, fresh and fair,
A bunch of roses she shall wear;
I know who I’ll take.
Give her kisses,—one, two, three,—
For she’s a lady’s daughter.
Roses in, and roses out,
Roses in a garden;
I would not give a bunch of roses
For twopence halfpenny “farden.”
—Nairn (Rev. W. Gregor).
(_c_) The players form a ring, one child stands in the centre, who
chooses a sweetheart from the ring when the fifth line is sung; the two
kiss, the first child takes her place in the ring, the second child
remains in the centre, and the game begins again. This is the method
adopted in most of the versions. The Symondsbury game is slightly
different; the first part is the same, but when the last line is sung
the child who was first in the middle must run away and take a place in
the ring as soon as she can. The second one remains in the centre. The
Maxey (Northants.) version is altogether different. All the children but
one stand in a row. The one stands in front of them and sings the lines
by herself; at the last line she selects one from the line by naming
her. These two then sing the lines, “swinging round,” so described by
Mr. Sweeting’s informant. They then select a third when singing the last
line, and the three then swing round. This is repeated till all the
children from the line come into the ring.
In the Scotch versions the players all stand in a line, with one in
front, and sing. At the end of the fourth line the one in front chooses
one from the line, and all again sing, mentioning the name of the one
chosen (Fraserburgh). At Cullen, one child stands out of the line and
goes backwards and forwards singing, then chooses her partner, and the
two go round the line singing.
(_d_) A version which I collected in Barnes is not so perfect as those
given here, only the four first lines being sung. A Kentish version sent
me by Miss Broadwood is almost identical with the Deptford game. Miss
Broadwood’s version commences—
Rosy apple, miller, miller, pear.
An Ipswich version is almost identical with that of Hersham, Surrey
(Lady C. Gurdon’s _Suffolk County Folk-lore_, p. 64), except that it
begins “Golden apple” and ends with the marriage formula—
Now you’re married, I wish you joy,
Father and mother you must obey;
Love one another like sister and brother,
And now’s the time to kiss away.
(_e_) This game is probably derived from the mode of dressing the bride
in the marriage ceremony, and is not very ancient. The line “Lead her to
the altar” probably indicates the earliest version, corrupted later into
“Lead her across the water,” and this would prove a comparatively modern
origin. If, however, the “altar” version is a corruption of the “water”
version, the game may go back to the pre-Christian marriage ceremony,
but of this there is little evidence.
Roundabout, or Cheshire Round
Public-domain text, read in full here on John Shaqi.
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