Euripides -- Translations into English; Mythology, Greek -- Drama
[31] ‛οτωι δε φησιν ουκ ευσεβες φαινεται παρειναι τωι φονωι, και δεχεσθαι
τοιαυτας θυσιας, ‛ουτος αποτω.--τωι δε αυτωι μελησει συναπτεον το μη
παρειναι. SCHOL.
[32] _But there_; that is, in the regions below.
[33] Ovid. Metamorph. vii. 20.
Video meliora proboque,
Deteriora sequor.
[34] Elmsley reads
παυρον δε γενος (μιαν εν πολλαις
‛ευροις αν ισως)
ουκ, κ.τ.λ.
"_But a small number of the race of women (you may perchance find one among
many) not ungifted with the muse_."
[35] A similar expression is found in Iphig. Taur, v. 410. ναϊον οχημα. A
ship is frequently called ‛Ερμα θαλασσης: so Virgil, Æn. vi. Classique
immittit habenas.
[36] Elmsley is of opinion that _the instep_ and not _the neck_ is meant by
τενων.
[37] The ancients attributed all sudden terrors, and sudden sicknesses,
such as epilepsies, for which no cause appeared, to Pan, or to some other
Deity. The anger of the God they endeavored to avert by a hymn, which had
the nature of a charm.
[38] Elmsley has ανθηπτετο, which is the old reading: this makes no
difference in the construing or the construction, as, in the line before,
he reads αν ‛ελκων, where Porson has ανελκων.
[39] The space of time elapsed is meant to be marked by this circumstance.
MUSGRAVE. PORSON. Thus we find in Μ of the Odyssey, l. 439, the time of day
expressed by the rising of the judges; in Δ of the Iliad, l. 86, by the
dining of the woodman. When we recollect that the ancients had not the
inventions that we have whereby to measure their time, we shall cease to
consider the circumlocution as absurd or out of place.
[40] The same expression occurs in the Heraclidæ, l. 168. The Scholiast
explains it thus; τυμβογεροντα, τον πλησιον θανατου ‛οντα: τυμβους δε
καλουσι τους γεροντας, παροσον πλησιον εισι του θανατου και του ταφου.
[41] αυτοφονταις may be taken as an adjective to agree with δομοις, or the
construction may be αχη πιτνοντα αυτοφονταις επι δομοις, in the same manner
as λιθος επεσε μοι επι κεφαληι. ELMSLEY.
[42] μη με τι δρασωσι' had been "lest they do _me_ any injury." Elmsley
conceives that νιν is the true reading, which might easily have been
corrupted into μοι.
[43] Here Medea appears above in a chariot drawn by dragons, bearing with
her the bodies of her slaughtered sons. SCHOL. See Horace, Epod. 3.
Hoc delibutis ulta donis pellicem,
Serpente fugit alite.
[44] λυει may also be interpreted, with the Scholiast, in the sense of
λυσιτελει, "the grief delights me." The translation given in the text is
proposed by Porson, and approved of by Elmsley.
[45] Elmsley has
μενε και γηρας.
"_Stay yet for old age_." So also Dindorf.
* * * * * *
HIPPOLYTUS.
* * * *
PERSONS REPRESENTED.
VENUS.
HIPPOLYTUS.
ATTENDANTS.
PHÆDRA.
NURSE.
THESEUS.
MESSENGER.
DIANA.
CHORUS OF TRŒZENIAN DAMES.
* * * * *
THE ARGUMENT.
* * * *
Public-domain text, read in full here on John Shaqi.
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