Euripides -- Translations into English; Mythology, Greek -- Drama
ELEC. For on what other account should one rather cry out? But come, and
join in supplication with thy friends, falling down before thy mother, the
supremely blest, that Menelaus will not see us perish. But, O thou, that
receivedst thy education at the hands of my mother, pity us, and alleviate
our sufferings. Come hither to the trial; but I will lead the way, for thou
alone hast the ends of our preservation.
HERM. Behold I direct my footstep toward the house. Be preserved, as far as
lies in me.
ELEC. O ye in the house, my dear warriors, will ye not take your prey?
HERM. Alas me! who are these I see?
ORES. (_advancing_) Thou must be silent; for thou art come to preserve us,
not thyself.
ELEC. Hold her, hold her; and pointing a sword to her neck be silent, that
Menelaus may know, that having found men, not Phrygian cowards, he has
treated them in a manner he should treat cowards. What ho! what ho! my
friends, make a noise, a noise, and shout before the palace, that the
murder that is perpetrated spread not a dread alarm among the Argives, so
that they run to assist to the king's palace, before I plainly see the
slaughtered Helen lying weltering in her blood within the house, or else we
hear the report from some of her attendants. For part of the havoc I know,
and part not accurately.
CHOR. With justice came the vengeance of the Gods on Helen. For she filled
the whole of Greece with tears on account of the ruthless, ruthless Idean
Paris, who brought the Grecian state to Ilium. But be silent, for the bolts
of the royal mansion resound, for some one of the Phrygians comes forth,
from whom we shall hear of the affairs within the house, in what state they
are.
PHRYGIAN, CHORUS.
PHRY. I have escaped from death by the Argive sword in these barbaric
slippers, _climbing_ over the cedar beams of the bed and the Doric
triglyphs, by the flight of a barbarian.[38] Thou art gone, thou art gone,
O my country, my country! Alas me! whither can I escape, O strangers,
flying through the hoary air, or the sea, which the Ocean, with head in
shape like a bull's, rolling with his arms encircles the earth?
CHOR. But what is the matter, O attendant of Helen, thou man of Ida?
PHRY. O Ilion, Ilion! alas me! O thou fertile Phrygian city, thou sacred
mount of Ida, how do I lament for thee destroyed, a sad,[39] sad strain for
my barbaric voice, on account of that form of the hapless, hapless Helen,
born from a bird, the offspring of the beauteous Leda in shape of a swan,
the fiend of the splendid Apollonian Pergamus! Alas! Oh! lamentations!
lamentations! O wretched Dardania, warlike school[40] of Ganymede, the
companion of Jove!
CHOR. Relate to us clearly each circumstance that happened in the house,
for I do not understand your former account, but merely conjecture.
Public-domain text, read in full here on John Shaqi.
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