East and West -- Fiction; Egypt -- Social life and customs -- 19th century -- Fiction; Hostages -- Fiction
“Don’t look! don’t look!” cried Belmont to the ladies, and they all rode
on with their faces to the south. They heard no sound, but the Baggara
passed them a few minutes afterwards. He was cleaning his sword upon
the hairy neck of his camel, and he glanced at them with a quick,
malicious gleam of his teeth as he trotted by. But those who are at the
lowest pitch of human misery are at least secured against the future.
That vicious, threatening smile which might once have thrilled them left
them now unmoved--or stirred them at most to vague resentment.
There were many things to interest them in this old trade route, had
they been in a condition to take notice of them. Here and there along
its course were the crumbling remains of ancient buildings, so old that
no date could be assigned to them, but designed in some far-off
civilisation to give the travellers shade from the sun or protection
from the ever-lawless children of the desert. The mud bricks with which
these refuges were constructed showed that the material had been carried
over from the distant Nile. Once, upon the top of a little knoll, they
saw the shattered plinth of a pillar of red Assouan granite, with the
wide-winged symbol of the Egyptian god across it, and the cartouche of
the second Rameses beneath. After three thousand years one cannot get
away from the ineffaceable footprints of the warrior-king. It is surely
the most wonderful survival of history that one should still be able to
gaze upon him, high-nosed and masterful, as he lies with his powerful
arms crossed upon his chest, majestic even in decay, in the Gizeh
Museum. To the captives, the cartouche was a message of hope, as a sign
that they were not outside the sphere of Egypt. “They’ve left their
card here once, and they may again,” said Belmont, and they all tried to
smile.
Public-domain text, read in full here on John Shaqi.
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