dinning them into her ears while she sits there and reads. She's a
tremendous reader; she's awfully up in literature. She taught me
everything herself. I mean all that sort of thing. Of course I'm not so
fond of reading; I go in for the book of life." Sherringham wondered if
her mother had not at any rate taught her that phrase--he thought it
highly probable. "It would give on _my_ nerves, the life I lead her,"
Miriam continued; "but she's really a delicious woman."
The oddity of this epithet made Peter laugh, and altogether, in a few
minutes, which is perhaps a sign that he abused his right to be a man of
moods, the young lady had produced in him a revolution of curiosity, set
his sympathy in motion. Her mixture, as it spread itself before him, was
an appeal and a challenge: she was sensitive and dense, she was
underbred and fine. Certainly she was very various, and that was rare;
quite not at this moment the heavy-eyed, frightened creature who had
pulled herself together with such an effort at Madame Carre's, nor the
elated "phenomenon" who had just been declaiming, nor the rather
affected and contradictious young person with whom he had walked home
from the Rue de Constantinople. Was this succession of phases a sign she
was really a case of the celebrated artistic temperament, the nature
that made people provoking and interesting? That Sherringham himself was
of this shifting complexion is perhaps proved by his odd capacity for
being of two different minds very nearly at the same time. Miriam was
pretty now, with felicities and graces, with charming, unusual eyes.
Yes, there were things he could do for her; he had already forgotten the
chill of Mr. Nash's irony, of his prophecy. He was even scarce conscious
how little in general he liked hints, insinuations, favours asked
obliquely and plaintively: that was doubtless also because the girl was
suddenly so taking and so fraternising. Perhaps indeed it was unjust to
qualify as roundabout the manner in which Miss Rooth conveyed that it
was open to him not only to pay for her lessons, but to meet the expense
of her nightly attendance with her mother at instructive exhibitions of
theatrical art. It was a large order, sending the pair to all the plays;
but what Peter now found himself thinking of was not so much its
largeness as the possible interest of going with them sometimes and
pointing the moral--the technical one--of showing her the things he
liked, the things he disapproved. She repeated her declaration that she
recognised the fallacy of her mother's view of heroines impossibly
virtuous and of the importance of her looking out for such tremendously
proper people. "One must let her talk, but of course it creates a
prejudice," she said with her eyes on Mr. and Mrs. Lovick, who had got
up, terminating their communion with Mrs. Rooth. "It's a great muddle, I
know, but she can't bear anything coarse or nasty--and quite right too.
I shouldn't either if I didn't have to.
Public-domain text, read in full here on John Shaqi.
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