Madame Carre received this revelation good-naturedly enough, considering
its want of freshness, and only laughed at the young lady for looking so
nobly patronising while she gave it. Her laughter appeared partly
addressed to the good faith with which Miriam described herself as
preponderantly interested in the subtler problems of her art.
Sherringham was charmed with the girl's pluck--if it was pluck and not
mere density; the stout patience with which she submitted, for a
purpose, to the old woman's rough usage. He wanted to take her away, to
give her a friendly caution, to advise her not to become a bore, not to
expose herself. But she held up her beautiful head as to show how little
she cared at present for any exposure, and that (it was half
coarseness--Madame Carre was so far right--and half fortitude) she had
no intention of coming away so long as; there was anything to be picked
up. She sat and still she sat, challenging her hostess with every sort
of question--some reasonable, some ingenious, some strangely futile and
some highly indiscreet; but all with the effect that, contrary to
Peter's expectation, their distinguished friend warmed to the work of
answering and explaining, became interested, was content to keep her and
to talk. Yes, she took her ease; she relieved herself, with the rare
cynicism of the artist--all the crudity, the irony and intensity of a
discussion of esoteric things--of personal mysteries, of methods and
secrets. It was the oddest hour our young man had ever spent, even in
the course of investigations which had often led him into the _cuisine_,
the distillery or back shop, of the admired profession. He got up
several times to come away; then he remained, partly in order not to
leave Miriam alone with her terrible initiatress, partly because he was
both amused and edified, and partly because Madame Carre held him by the
appeal of her sharp, confidential, old eyes, addressing her talk to
himself, with Miriam but a pretext and subject, a vile illustration. She
undressed this young lady, as it were, from head to foot, turned her
inside out, weighed and measured and sounded her: it was all, for
Sherringham, a new revelation of the point to which, in her profession
and nation, an intelligence of the business, a ferocious analysis, had
been carried and a special vocabulary developed. What struck him above
all was the way she knew her grounds and reasons, so that everything was
sharp and clear in her mind and lay under her hand. If she had rare
perceptions she had traced them to their source; she could give an
account of what she did; she knew perfectly why, could explain it,
defend it, amplify it, fight for it: all of which was an intellectual
joy to her, allowing her a chance to abound and insist and discriminate.
There was a kind of cruelty or at least of hardness in it all, to poor
Peter's shy English sense, that sense which can never really reconcile
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account