It was as if Madame Carre, in pursuance of her inflamed sense that the
art was everything and the individual nothing save as he happened to
serve it, had said: "Well, if she _will_ have it she shall; she shall
know what she's in for, what I went through, battered and broken in as
we all have been--all who are worthy, who have had the honour. She shall
know the real point of view." It was as if she were still beset with
Mrs. Rooth's twaddle and muddle, her hypocrisy, her idiotic
scruples--something she felt all need to belabour, to trample on. Miriam
took it all as a bath, a baptism, with shuddering joy and gleeful
splashes; staring, wondering, sometimes blushing and failing to follow,
but not shrinking nor wounded; laughing, when convicted, at her own
expense and feeling evidently that this at last was the high cold air of
art, an initiation, a discipline that nothing could undo. Sherringham
said he would see her home--he wanted to talk to her and she must walk
away with him. "And it's understood then she may come back," he added to
Madame Carre. "It's _my_ affair of course. You'll take an interest in
her for a month or two; she'll sit at your feet."
The old actress had an admirable shrug. "Oh I'll knock her about--she
seems stout enough!"
XI
When they had descended to the street Miriam mentioned to Peter that she
was thirsty, dying to drink something: upon which he asked her if she
should have an objection to going with him to a cafe.
"Objection? I've spent my life in cafes! They're warm in winter and you
get your lamplight for nothing," she explained. "Mamma and I have sat in
them for hours, many a time, with a _consommation_ of three sous, to
save fire and candles at home. We've lived in places we couldn't sit in,
if you want to know--where there was only really room if we were in bed.
Mamma's money's sent out from England and sometimes it usedn't to come.
Once it didn't come for months--for months and months. I don't know how
we lived. There wasn't any to come; there wasn't any to get home. That
isn't amusing when you're away in a foreign town without any friends.
Mamma used to borrow, but people wouldn't always lend. You needn't be
afraid--she won't borrow of _you_. We're rather better now--something
has been done in England; I don't understand what. It's only fivepence a
year, but it has been settled; it comes regularly; it used to come only
when we had written and begged and waited. But it made no
difference--mamma was always up to her ears in books. They served her
for food and drink. When she had nothing to eat she began a novel in
ten volumes--the old-fashioned ones; they lasted longest. She knows
every _cabinet de lecture_ in every town; the little, cheap, shabby
ones, I mean, in the back streets, where they have odd volumes and only
ask a sou and the books are so old that they smell like close rooms. She
takes them to the cafes--the little, cheap, shabby cafes too--and she
reads there all the evening.
Public-domain text, read in full here on John Shaqi.
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