She asked why he pronounced her simple, but he judged it best and more
consonant with fair play to defer even a treatment of this branch of the
question; so that to change the subject he said: "Be sure you don't
betray me to your friend Mr. Nash."
"Betray you? Do you mean about your recommending affectation?"
"Dear me, no; he recommends it himself. That is, he practises it, and on
a scale!"
"But he makes one hate it."
"He proves what I mean," said Sherringham: "that the great comedian's
the one who raises it to a science. If we paid ten shillings to listen
to Mr. Nash we should think him very fine. But we want to know what it's
supposed to be."
"It's too odious, the way he talks about us!" Miriam cried assentingly.
"About 'us'?"
"Us poor actors."
"It's the competition he dislikes," Peter laughed.
"However, he's very good-natured; he lent mamma thirty pounds," the girl
added honestly. Our young man, at this information, was not able to
repress a certain small twinge noted by his companion and of which she
appeared to mistake the meaning. "Of course he'll get it back," she went
on while he looked at her in silence a little. Fortune had not supplied
him profusely with money, but his emotion was caused by no foresight of
his probably having also to put his hand in his pocket for Mrs. Rooth.
It was simply the instinctive recoil of a fastidious nature from the
idea of familiar intimacy with people who lived from hand to mouth,
together with a sense that this intimacy would have to be defined if it
was to go much further. He would wish to know what it was supposed to
be, like Nash's histrionics. Miriam after a moment mistook his thought
still more completely, and in doing so flashed a portent of the way it
was in her to strike from time to time a note exasperatingly, almost
consciously vulgar, which one would hate for the reason, along with
others, that by that time one would be in love with her. "Well then, he
won't--if you don't believe it!" she easily laughed. He was saying to
himself that the only possible form was that they should borrow only
from him. "You're a funny man. I make you blush," she persisted.
"I must reply with the _tu quoque_, though I've not that effect on you."
"I don't understand," said the girl.
"You're an extraordinary young lady."
"You mean I'm horrid. Well, I daresay I am. But I'm better when you know
me."
He made no direct rejoinder to this, but after a moment went on: "Your
mother must repay that money. I'll give it her."
"You had better give it _him_!" cried Miriam. "If once mamma has it--!"
She interrupted herself and with another and a softer tone, one of her
professional transitions, remarked: "I suppose you've never known any
one that was poor."
Public-domain text, read in full here on John Shaqi.
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