Sherringham, I may add, had no desire that she should indulge a
different preference: it was distasteful to him to compute the
probabilities of a young lady's misbehaving for his advantage--that
seemed to him definitely base--and he would have thought himself a
blackguard if, even when a prey to his desire, he had not wished the
thing that was best for the object of it. The thing best for Miriam
might be to become the wife of the man to whose suit she should incline
her ear. That this would be the best thing for the gentleman in question
by no means, however, equally followed, and Sherringham's final
conviction was that it would never do for him to act the part of that
hypothetic personage. He asked for no removal and no extension of leave,
and he proved to himself how well he knew what he was about by never
addressing a line, during his absence, to the Hotel de la Garonne. He
would simply go straight, inflicting as little injury on Peter
Sherringham as on any one else. He remained away to the last hour of his
privilege and continued to act lucidly in having nothing to do with the
mother and daughter for several days after his return to Paris.
It was when this discipline came to an end one afternoon after a week
had passed that he felt most the force of the reference we have just
made to Mrs. Rooth's private calculations. He found her at home, alone,
writing a letter under the lamp, and as soon as he came in she cried out
that he was the very person to whom the letter was addressed. She could
bear it no longer; she had permitted herself to reproach him with his
terrible silence--to ask why he had quite forsaken them. It was an
illustration of the way in which her visitor had come to regard her that
he put rather less than more faith into this description of the crumpled
papers lying on the table. He was not even sure he quite believed Miriam
to have just gone out. He told her mother how busy he had been all the
while he was away and how much time above all he had had to give in
London to seeing on her daughter's behalf the people connected with the
theatres.
"Ah if you pity me tell me you've got her an engagement!" Mrs. Rooth
cried while she clasped her hands.
Public-domain text, read in full here on John Shaqi.
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