"If you only would; but you don't seem to! In short I don't understand
you--I give you up. But it doesn't matter," said the old woman wearily,
"for the theatre's dead and even you, _ma toute-belle_, won't bring it
to life. Everything's going from bad to worse, and I don't care what
becomes of you. You wouldn't understand us here and they won't
understand you there, and everything's impossible, and no one's a whit
the wiser, and it's not of the least consequence. Only when you raise
your arms lift them just a little higher," Madame Carre added.
"My mother will be happier _chez nous_" said Miriam, throwing her arms
straight up and giving them a noble tragic movement.
"You won't be in the least in the right path till your mother's in
despair."
"Well, perhaps we can bring that about even in London," Sherringham
patiently laughed.
"Dear Mrs. Rooth--she's great fun," Mr. Dashwood as imperturbably
dropped.
Miriam transferred the dark weight of her gaze to him as if she were
practising. "_You_ won't upset her, at any rate." Then she stood with
her beautiful and fatal mask before her hostess. "I want to do the
modern too. I want to do _le drame_, with intense realistic effects."
"And do you want to look like the portico of the Madeleine when it's
draped for a funeral?" her instructress mocked. "Never, never. I don't
believe you're various: that's not the way I see you. You're pure
tragedy, with _de grands eclats de voix_ in the great style, or you're
nothing."
"Be beautiful--be only that," Peter urged with high interest. "Be only
what you can be so well--something that one may turn to for a glimpse of
perfection, to lift one out of all the vulgarities of the day."
Thus apostrophised the girl broke out with one of the speeches of
Racine's Phaedra, hushing her companions on the instant. "You'll be the
English Rachel," said Basil Dashwood when she stopped.
"Acting in French!" Madame Carre amended. "I don't believe in an English
Rachel."
"I shall have to work it out, what I shall be," Miriam concluded with a
rich pensive effect.
"You're in wonderfully good form to-day," Sherringham said to her; his
appreciation revealing a personal subjection he was unable to conceal
from his companions, much as he wished it.
"I really mean to do everything."
"Very well; after all Garrick did."
"Then I shall be the Garrick of my sex."
"There's a very clever author doing something for me; I should like you
to see it," said Basil Dashwood, addressing himself equally to Miriam
and to her diplomatic friend.
"Ah if you've very clever authors----!" And Madame Carre spun the sound
to the finest satiric thread.
"I shall be very happy to see it," Peter returned.
This response was so benevolent that Basil Dashwood presently began:
"May I ask you at what theatre you've made arrangements?"
Sherringham looked at him a moment. "Come and see me at the embassy and
I'll tell you." Then he added: "I know your sister, Mrs. Lovick."
Public-domain text, read in full here on John Shaqi.
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