Gushmore--Miriam didn't know if Nick had
heard of him (Nick hadn't) who had done some of it. It had been awfully
chopped down, to a mere bone, with the meat all gone; but that was what
people in London seemed to like. They were very innocent--thousands of
little dogs amusing themselves with a bone. At any rate she had made
something, she had made a figure, of the woman--a dreadful stick, with
what Dashwood had muddled her into; and Miriam added in the complacency
of her young expansion: "Oh give me fifty words any time and the ghost
of a situation, and I'll set you up somebody. Besides, I mustn't abuse
poor Yolande--she has saved us," she said.
"'Yolande'--?"
"Our ridiculous play. That's the name of the impossible woman. She has
put bread into our mouths and she's a loaf on the shelf for the future.
The rights are mine."
"You're lucky to have them," said Nick a little vaguely, troubled about
his sitter's nose, which was somehow Jewish without the convex arch.
"Indeed I am. He gave them to me. Wasn't it charming?"
"'He' gave them--Mr. Dashwood?"
"Dear me, no--where should poor Dashwood have got them? He hasn't a
penny in the world. Besides, if he had got them he'd have kept them. I
mean your blessed cousin."
"I see--they're a present from Peter."
"Like many other things. Isn't he a dear? If it hadn't been for him the
shelf would have remained bare. He bought the play for this country and
America for four hundred pounds, and on the chance: fancy! There was no
rush for it, and how could he tell? And then he gracefully pressed it on
me. So I've my little capital. Isn't he a duck? You've nice cousins."
Nick assented to the proposition, only inserting an amendment to the
effect that surely Peter had nice cousins too, and making, as he went on
with his work, a tacit, preoccupied reflexion or two; such as that it
must be pleasant to render little services like that to youth, beauty
and genius--he rather wondered how Peter could afford them--and that,
"duck" as he was, Miss Rooth's benefactor was rather taken for granted.
_Sic vos non vobis_ softly sounded in his brain. This community of
interests, or at least of relations, quickened the flight of time, so
that he was still fresh when the sitting came to an end. It was settled
Miriam should come back on the morrow, to enable her artist to make the
most of the few days of the parliamentary recess; and just before she
left him she asked:
"Then you _will_ come to-night?"
"Without fail. I hate to lose an hour of you."
"Then I'll place you. It will be my affair."
"You're very kind"--he quite rose to it. "Isn't it a simple matter for
me to take a stall? This week I suppose they're to be had."
"I'll send you a box," said Miriam. "You shall do it well. There are
plenty now."
"Why should I be lost, all alone, in the grandeur of a box?"
"Can't you bring your friend?"
"My friend?"
"The lady you're engaged to."
"Unfortunately she's out of town."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account