The Trail of the Hawk: A Comedy of the Seriousness of LifeLewis, Sinclair
General
The Trail of the Hawk: A Comedy of the Seriousness of Life
Lewis, Sinclair
City and town life -- Fiction; Minnesota -- Fiction
Lying in his hot steerage bunk, stripped to his under-shirt, Carl
peered through the "state-room" window to the swishing night sea,
conscious of the rolling of the boat, of the engines shaking her, of
bolts studding the white iron wall, of life-preservers over his head,
of stokers singing in the gangway as they dumped the clinkers
overboard. The _Panama_ was pounding on, on, on, and he rejoiced,
"This is just what I've wanted, always."
* * * * *
They are creeping in toward the wharf at Colon. He is seeing Panama!
First a point of palms, then the hospital, the red roofs of the I. C.
C. quarters at Cristobal, and negroes on the sun-blistered wharf.
At last he is free to go ashore in wonderland--a medley of Colon and
Cristobal, Panama and the Canal Zone of 1907; Spiggoty policemen like
monkeys chattering bad Spanish, and big, smiling Canal Zone policemen
in khaki, with the air of soldiers; Jamaica negroes with conical heads
and brown Barbados negroes with Cockney accents; English engineers in
lordly pugrees, and tourists from New England who seem servants of
their own tortoise-shell spectacles; comfortable ebon mammies with
silver bangles and kerchiefs of stabbing scarlet, dressed in starched
pink-and-blue gingham, vending guavas and green Toboga Island
pineapples. Carl gapes at Panamanian nuns and Chilean consuls, French
peasant laborers and indignant Irish foremen and German
concessionaries with dueling scars and high collars. Gold Spanish
signs and Spiggoty money and hotels with American cuspidors and
job-hunters; tin roofs and arcades; shops open to the street in front,
but mysterious within, giving glimpses of the canny Chinese
proprietors smoking tiny pipes. Trains from towns along the Canal, and
sometimes the black funeral-car, bound for Monkey Hill Cemetery.
Gambling-houses where it is considered humorous to play "Where Is My
Wandering Boy To-night?" on the phonograph while wandering boys sit at
poker; and less cleanly places, named after the various states. Negro
wenches in yellow calico dancing to fiddled tunes older than voodoo;
Indian planters coming sullenly in with pale-green bananas; memories
of the Spanish Main and Morgan's raid, of pieces of eight and
cutlasses ho! Capes of cocoanut palms running into a welter of surf;
huts on piles streaked with moss, round whose bases land-crabs scuttle
with a dry rattling that carries far in the hot, moist, still air, and
suggests the corpses of disappeared men found half devoured.
Public-domain text, read in full here on John Shaqi.
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