The Trail of the Hawk: A Comedy of the Seriousness of LifeLewis, Sinclair
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The Trail of the Hawk: A Comedy of the Seriousness of Life
Lewis, Sinclair
City and town life -- Fiction; Minnesota -- Fiction
Swinging his stick up to a level with his shoulder at each stride, he
raced to Fifty-ninth Street and the nearest taxi-stand. He was whirled
to his room. He literally threw his clothes off. He shaved hastily,
singing, "Will You Come to the Ball," from "The Quaker Girl," and
slipped into evening clothes and his suavest dress-shirt. Seizing
things all at once--top-hat, muffler, gloves, pocketbook,
handkerchief, cigarette-case, keys--and hanging them about him as he
fled down the decorous stairs, he skipped to the taxicab and started
again for Fifty-blankth Street.
At the house of the party he stopped to find on the letter-box in the
entry the name "Mrs. Hallet," mentioned by Olive. There was no such
name. He tried the inner door. It opened. He cheerily began to mount
steep stairs, which kept on for miles, climbing among slate-colored
walls, past empty wall-niches with toeless plaster statues. The
hallways, dim and high and snobbish, and the dark old double doors,
scowled at him. He boldly returned the scowl. He could hear the
increasing din of a talk-party coming from above. When he reached the
top floor he found a door open on a big room crowded with shrilly
chattering people in florid clothes. There was a hint of brassware and
paintings and silken Turkish rugs.
But no sight of Ruth or Olive.
A maid was bobbing to him and breathing, "That way, please, at the end
of the hall." He went meekly. He did not dare to search the clamorous
crowd for the girls, as yet.
He obediently added his hat and coat and stick to an
uncomfortable-looking pile of wraps writhing on a bed in a small room
that had a Copley print of Sargent's "Prophets," a calendar, and an
unimportant white rocker.
It was time to go out and face the party, but he had stage-fright.
While climbing the stairs he had believed that he was in touch with
the two girls, but now he was separated from them by a crowd, farther
from them than when he had followed them down the unfriendly street.
And not till now did he quite grasp the fact that the hostess might
not welcome him. His glowing game was becoming very dull-toned. He
lighted a cigarette and listened to the beating surf of the talk in
the other room.
Another man came in. Like all the rest, he gave up the brilliant idea
of trying to find an unpreëmpted place for his precious newly ironed
silk hat, and resignedly dumped it on the bed. He was a passable man,
with a gentlemanly mustache and good pumps. Carl knew that fact
because he was comparing his own clothes and deciding that he had none
the worst of it. But he was relieved when the waxed mustache moved a
couple of times, and its owner said, in a friendly way: "Beastly
jam!... May I trouble you for a match?"
Carl followed him out to the hostess, a small, busy woman who made a
business of being vivacious and letting the light catch the fringes of
her gold hair as she nodded. Carl nonchalantly shook hands with her,
bubbling: "So afraid couldn't get here. My play----But at last----"
Public-domain text, read in full here on John Shaqi.
The Trail of the Hawk: A Comedy of the Seriousness of Life — John Shaqi
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