The Trail of the Hawk: A Comedy of the Seriousness of LifeLewis, Sinclair
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The Trail of the Hawk: A Comedy of the Seriousness of Life
Lewis, Sinclair
City and town life -- Fiction; Minnesota -- Fiction
They were left alone. Gertie glanced at him intimately. He stiffened.
He knew that Gertie was honest, kindly, with enough sense of display
to catch the tricks of a new environment. But to her, matrimony would
be the inevitable sequence of a friendship which Ruth or Olive could
take easily, pleasantly, for its own sake. And Carl, the young man
just starting in business, was un-heroically afraid of matrimony.
Yet his stiffness of attitude disappeared when Gertie had read the
letter from Joralemon and mused, chin on hand, dreamily melancholy: "I
can just see them out sleighing. Sometimes I wish I was out there.
Honest, Carl, for all the sea and the hills here, don't you wish
sometimes it were August, and you were out home camping on a wooded
bluff over a lake?"
"Yes!" he cried. "I've been away so long now that I don't ever feel
homesick for any particular part of the country; but just the same I
would like to see the lakes. And I do miss the prairies sometimes. Oh,
I was reading something the other day--fellow was trying to define the
different sorts of terrain--here it is, cut it out of the paper." He
produced from among a bunch of pocket-worn envelopes and memorandums a
clipping hacked from a newspaper with a nail-file, and read:
"'The combat and mystery of the sea; the uplift of the hills and their
promise of wonder beyond; the kindliness of late afternoon nestling in
small fields, or on ample barns where red clover-tops and long grasses
shine against the gray foundation stones and small boys seek for
hidden entrances to this castle of the farm; the deep holiness of the
forest, whose leaves are the stained glass of a cathedral to grave
saints of the open; all these I love, but nowhere do I find content
save on the mid-western prairie, where the light of sky and plain
drugs the senses, where the sound of meadow-larks at dawn fulfils my
desire for companionship, and the easy creak of the buggy, as we top
rise after rise, bespells me into an afternoon slumber which the
nervous town shall never know.'
"I cut the thing out because I was thinking that the prairies,
stretching out the way they do, make me want to go on and on, in an
aeroplane or any old thing. Lord, Lord! I guess before long I'll have
to be beating it again--like the guy in Kipling that always got sick
of reading the same page too long."
"Oh, but Carl, you don't mean to say you're going to give up your
business, when you're doing so well? And aviation shows what you can
do if you stick to a thing, Carl, and not just wander around like you
used to do. We do want to see you succeed."
His reply was rather weak: "Well, gee! I guess I'll succeed, all
right, but I don't see much use of succeeding if you have to be stuck
down in a greasy city street all your life."
"That's very true, Carl, but do you appreciate the city? Have you ever
been in the Metropolitan Museum of Art, or gone to a single symphony
concert at Carnegie Hall?"
Public-domain text, read in full here on John Shaqi.
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