The sky had cleared. She tilted up her chin and adored the stars--stars like the hard, cold, fighting sparks that fly from a trolley-wire. Carl looked down fondly, noting how fair-skinned was her forehead in contrast to her thick, dark brows, as the arc-light's brilliance rested on her worshiping face--her lips a-tremble and slightly parted. She raised her arms, her fingers wide-spread, praising the star-gods. She cried only, "Oh, all this----" but it was a prayer to a greater god Pan, shaking his snow-incrusted beard to the roar of northern music. To Carl her cry seemed to pledge faith in the starred sky and the long trail and a glorious restlessness that by a dead fireplace of white, smooth marble would never find content. "Like sword-points, those stars are," he said, then---- Then they heard the trolley-car's flat wheels grinding on a curve. Its search-light changed the shadow-haunted woodland to a sad group of scanty trees, huddling in front of an old bill-board, with its top broken and the tattered posters flapping. The wanderers stepped from the mystical romance of the open night into the exceeding realism of the car--highly realistic wooden floor with small, muddy pools from lumps of dirty melting snow, hot air, a smell of Italian workmen, a German conductor with the sniffles, a row of shoes mostly wet and all wrinkled. They had to stand. Most realistic of all, they read the glossy car-signs advertising soap and little cigars, and the enterprising local advertisement of "Wm. P. Smith & Sons, All Northern New Jersey Real Estate, Cheaper Than Rent." So, instantly, the children of the night turned into two sophisticated young New-Yorkers who, apologizing for fresh-air yawns, talked of the theatrical season. But for a moment a strange look of distance dwelt in Ruth's eyes, and she said: "I wonder what I can do with the winter stars we've found? Will Ninety-second Street be big enough for them?" CHAPTER XXXII For a week--the week before Christmas--Carl had seen neither Ruth nor Gertie; but of the office he had seen too much. They were "rushing work" on the Touricar to have it on the market early in 1913. Every afternoon or evening he left the office with his tongue scaly from too much nervous smoking; poked dully about the streets, not much desiring to go any place, nor to watch the crowds, after all the curiosity had been drawn out of him by hours of work. Several times he went to a super-movie, a cinema palace on Broadway above Seventy-second Street, with an entrance in New York Colonial architecture, and crowds of well-to-do Jewish girls in opera-cloaks.