The Trail of the Hawk: A Comedy of the Seriousness of LifeLewis, Sinclair
General
The Trail of the Hawk: A Comedy of the Seriousness of Life
Lewis, Sinclair
City and town life -- Fiction; Minnesota -- Fiction
They crossed the city, and on Brooklyn Bridge watched the suburbanites
going home, crowding surface-car and elevated. From their perch on the
giant spider's web of steel, they saw the Long Island Sound steamers
below them, passing through a maelstrom of light on waves that
trembled like quicksilver.
They found a small Italian restaurant, free of local-color hounds and
what Carl called "hobohemians," and discovered _fritto misto_ and
Chianti and _zabaglione_--a pale-brown custard flavored like honey and
served in tall, thin, curving glasses--while the fat proprietress, in
a red shawl and a large brooch, came to ask them, "Everyt'ing
all-aright, eh?" Carl insisted that Walter MacMonnies, the aviator,
had once tried out a motor that was exactly like her, including the
Italian accent. There was simple and complete bliss for them in the
dingy pine-and-plaster room, adorned with fly-specked calendars and
pictures of Victor Emmanuel and President McKinley, copies of the
_Bolletino Della Sera_ and large vinegar bottles.
The theater was their destination, but they first loitered up
Broadway, shamelessly stopping to stare at shop windows, pretending
to be Joe the shoe-clerk and Becky the cashier furnishing a Bronx
flat. Whether it was anything but a game to Ruth will never be known;
but to Carl there was a hidden high excitement in planning a
flower-box for the fire-escape.
Apropos of nothing, she said, as they touched elbows with the
sweethearting crowd: "You were right. I'm sorry I ever felt superior
to what I called 'common people.' People! I love them all.
It's----Come, we must hurry. I hate to miss that one perfect second
when the orchestra is quiet and the lights wink at you and the
curtain's going up."
During the second act of the play, when the heroine awoke to love,
Carl's hand found hers.
And it must have been that night when, standing between the inner and
outer doors of her house, Carl put his arms about her, kissed her
hair, timidly kissed her sweet, cold cheek, and cried, "Bless you,
dear." But, for some reason, he does not remember when he did first
kiss her, though he had looked forward to that miracle for weeks. He
does not understand the reason; but there is the fact. Her kisses were
big things to him, yet possibly there were larger psychological
changes which occulted everything else, at first. But it must have
been on that night that he first kissed her. For certainly it was when
he called on her a week later that he kissed her for the second time.
They had been animated but decorous, that evening a week later. He had
tried to play an improvisation called "The Battle of San Juan Hill,"
with a knowledge of the piano limited to the fact that if you struck
alternate keys at the same time, there appeared not to be a discord.
Public-domain text, read in full here on John Shaqi.
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