The Trail of the Hawk: A Comedy of the Seriousness of LifeLewis, Sinclair
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The Trail of the Hawk: A Comedy of the Seriousness of Life
Lewis, Sinclair
City and town life -- Fiction; Minnesota -- Fiction
He cradled her head on his shoulder, his hand gripping her arm till
she cried, "You hurt me." He kissed her cheek. She drew back as far as
she could. Her hand, against his chest, held him away for a minute.
Her defense suddenly collapsed, and she was relaxed and throbbing in
his arms. He slipped his fingers under her chin, and turned up her
face till he could kiss her lips. He had not known the kiss of man and
woman could be so long, so stirring. Yet at first he was disappointed.
This was, after all, but a touch--just such a touch as finger against
finger. But her lips grew more intense against his, returning and
taking the kiss; both of them giving and receiving at once.
Wondering at himself for it, Carl thought of other things. He was
amazed that, while their lips were hot together, he worried as to what
train Ruth ought to take, after dinner. Yet, with such thoughts
conferring, he was in an ecstasy beyond sorrow; praying that to her,
as to him, there was no pain but instead a rapture in the sting of her
lips, as her teeth cut a little into them.... A kiss--thing that the
polite novels sketch as a second's unbodied bliss--how human it was,
with teeth and lips to consider; common as eating--and divine as
martyrdom. His lips were saying to her things too vast and extravagant
for a plain young man to venture upon in words:
"Lady, to you I chant my reverence and faith everlasting, in such
unearthly music as the angels use when with lambent wings they salute
the marching dawn." Such lyric tributes, and an emotion too subtle to
fit into any words whatever, his lips were saying....
Then she was drawing back, rending the kiss, crying, "You're almost
smothering me!"
With his arms easily about her, but with her weight against his
shoulder, they and their love veiled from the basket-parties by the
darkness, he said, quiveringly: "See, my arms are a little house for
you, just as my hand was a little house for your hand, once. My arms
are the walls, and your head and mine together are the roof."
"I love the little house."
"No. Say, 'I love _you_."'
"No."
"Say it."
"No."
"Please----"
"Oh, Hawk dear, I couldn't even if--just now, I do want to say it, but
I want to be fair. I am terribly happy to be in the house of Hawk's
arms. I'm not afraid in it, even out here on the dark dunes--which
Aunt Emma wouldn't--somehow--approve! But I do want to be fair to you,
and I'm afraid I'm not, when I let you love me this way. I don't want
to hurt you. Ever. Perhaps it's egotistical of me, but I'm afraid you
would be hurt if I let you kiss me and then afterward I decided I
didn't love you at all."
"But can't you, some day----"
Public-domain text, read in full here on John Shaqi.
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