“That won't be much more,” he said, and the collector, a new one,
laughed good-naturedly and with understanding turned away. Mechanically
he walked to the Club, but there was no club--then on to the office of
The Progress--the paper that was the boast of the town. The Progress
was defunct and the brilliant editor had left the hills. A boy with an
ink-smeared face was setting type and a pallid gentleman with glasses
was languidly working a hand-press. A pile of fresh-smelling papers lay
on a table, and after a question or two he picked up one. Two of its
four pages were covered with announcements of suits and sales to satisfy
judgments--the printing of which was the raison d'etre of the noble
sheet. Down the column his eye caught John Hale et al. John Hale et al.,
and he wondered why “the others” should be so persistently anonymous.
There was a cloud of them--thicker than the smoke of coke-ovens. He had
breathed that thickness for a long time, but he got a fresh sense of
suffocation now. Toward the post-office he moved. Around the corner
he came upon one of two brothers whom he remembered as carpenters. He
recalled his inability once to get that gentleman to hang a door for
him. He was a carpenter again now and he carried a saw and a plane.
There was grim humour in the situation. The carpenter's brother had
gone--and he himself could hardly get enough work, he said, to support
his family.
“Goin' to start that house of yours?”
“I think not,” said Hale.
“Well, I'd like to get a contract for a chicken-coop just to keep my
hand in.”
There was more. A two-horse wagon was coming with two cottage-organs
aboard. In the mouth of the slouch-hatted, unshaven driver was a
corn-cob pipe. He pulled in when he saw Hale.
“Hello!” he shouted grinning. Good Heavens, was that uncouth figure the
voluble, buoyant, flashy magnate of the old days? It was.
“Sellin' organs agin,” he said briefly.
“And teaching singing-school?”
The dethroned king of finance grinned.
“Sure! What you doin'?”
“Nothing.”
“Goin' to stay long?”
“No.”
“Well, see you again. So long. Git up!”
Public-domain text, read in full here on John Shaqi.
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