France -- History -- 16th century -- Fiction; Historical fiction
I did not dare meet her look, but half turned away with a groan; yet
something in the scene stilled the gibing tongues of the troopers, and
they pressed between us in rough kindliness, so surrounding me that for
the moment I was hidden from view.
I was mounted on a spare horse. Perhaps it was one that had belonged to
the dead Badehorn--I cannot say--and with a trooper on my left holding
the reins, and one on my right, a cocked pistol in his hand, I was put
almost in the rear of the party. Then followed a few quick commands,
the trumpets pealed, and we were on the way back to Orleans. We went
at a smart trot, for it was evidently the intention of our captors to
reach the city ere sundown, and, bright as the day had become, the
lights of sunset were already showing in the west.
Of the other prisoners I could see nothing except Coqueville, and he
rode almost immediately before me, but with this difference, that his
hands were free and his horse was not led. I do not know why, but I
kept watching him with a strange fascination as he rode on, apparently
in the deepest dejection, his head held down between his shoulders. I
knew his mount too. It was his own mare, Lisette, and she also seemed
to be possessed with the same despair as her master, for she lagged
and hung back, until we in the rear almost rode over her quarters. But
notwithstanding this, she still kept going slower and more slowly, her
tail switching nervously to and fro, and her ears laid back over her
head. Seeing this, the men on each side of Lisette exchanged some rough
joke about feminine temper, and closed in on Coqueville, forcing his
nag on. And then I noticed that his left foot was out of the stirrup,
and stretching his leg outward with a quick, rapid motion, he spurred
the trooper’s horse next to him. It swerved slightly, leaving a space
between them. Quick as thought Coqueville touched Lisette on the
neck with the flat of his hand, and, obeying the signal, she slung
half-round and lashed out. There was a curse and a heavy fall as the
stricken horse lurched downward with its leg broken, and we behind had
to rein up sharply, to avoid riding on those in front. In the momentary
confusion caused by this, a little space was left clear for Coqueville.
It was but a flash, a second of time that he had. But he took it, and,
as the kicked horse fell, he lifted Lisette’s head, dashed through the
opening into the wood, and vanished.
In a moment there was a wild hubbub of kicking, plunging horses around
us. The man next to me vainly fired his pistol after the fugitive, and
two or three of the troopers rode after him in headlong pursuit. The
whole line halted, and Richelieu galloped up, white with rage. He saw
at a glance what had happened, and a short inquiry told him who had
escaped.
“Here, Poltrot!” he exclaimed to a sergeant, “take half a dozen men and
bring him back, dead or alive, and a hundred crowns are yours.”
Public-domain text, read in full here on John Shaqi.
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