France -- History -- 16th century -- Fiction; Historical fiction
All was in light--in white, dazzling light. There was a quick word
of command, a flash of steel, the guard of the King’s Carabiniers
presented arms, and Richelieu stepped forward, no longer the reckless
soldier, but the suave courtier. The Star of the Order gleamed upon
his silver cuirass, his short scarlet cloak was thrown back over his
broad shoulders, and the blood-red plumes of his hat swept the polished
flooring as he bowed before the Medicis.
“The King--my son--how is he?” asked Catherine.
“But as before, madame. His Majesty has asked for your Grace twice.”
The Queen-Mother crossed herself, and, preceded by Richelieu and
followed by us, began to ascend the stairs, at the head of which we
could see a gaily dressed group assembled, and among them some ladies,
maids of honor, no doubt, to the reigning Queen.
The balustrade terminated in a square column of veined granite, upon
which was set a marble Aphrodite, one arm outstretched as if casting a
flower. From the rear of the party, where I was with Bentivoglio, who
had dropped to my side, the lights made the goddess burn a rose-red,
as if the statue were a living, palpitating thing. And, as I looked, a
figure moved out of the throng above us, and stood beside the Venus;
the figure of a woman, tall and stately, with deep, sleepy eyes and
passionate lips, a living embodiment of the artist’s dream.
The Italian nudged me, for he saw too. “The Limeuil,” he whispered,
“for whom your Condé will lose his honor.”
Ay! The words were almost prophetic, for it was for the sake of this
woman before us that Condé, he for whom we were risking so much,
trailed the honor of Bourbon in the dust, and broke the true heart of
his wife, casting aside the priceless ruby for the sham, glittering
crystal. If ever man was a moral murderer, he was; but he died like a
gentleman and a soldier, while I--no, I dare not cast a stone!
And even as I write this there comes to me the memory of that grim
story of the field of Jarnac, of that last devoted charge, for the
sweet peril of Christ and the Fatherland, of Montesquieu’s deed of
blood, and of that red sunset when Anjou stood in doubt and hesitation
before a stripped and mangled corpse.
And there came a cry from those around, “She comes! She comes!” and
a tall, veiled woman stepped slowly forward through the battle-worn
group. Casting aside her veil, she looked long, with cold, hard eyes,
on the disfigured features of the dead, and suddenly she laughed--a
laugh that chilled the blood of all--as she pointed in triumph with her
jewelled hand to the thing at her feet.
“It is he, Condé,” she said. “_Enfin!_” and she kicked the dead face
with her dainty shoe.
And while I gazed at her, we reached the landing, where all bowed with
reverence to the Widow of France, as Catherine was called.
Public-domain text, read in full here on John Shaqi.
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