The Transformation of Job: A Tale of the High SierrasFisher, Frederick Vining
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The Transformation of Job: A Tale of the High Sierras
Fisher, Frederick Vining
Sierra Nevada (Calif. and Nev.) -- Fiction
Her father had taken the cat on his lap, and in a chair tipped back
against the wall, with a broom splint between his teeth, sat reading
the county paper.
Martha stood on the doorstep looking off to the mountains, and there
was the old wistful look on her face again. The April sun had clouded
in, and so had the bright spirit of the child. She tried to draw to
her the warmth that had been holding her close, but instead there
rested upon her a dreary sense of loneliness. Jerusha wouldn't wash
white aprons every day, even if she fussed to put them on. In the
morning her father would be off to the smelter. The same old life
waited for her. She stood for a long time there in the door. Then her
father reached around and took hold of her.
"What's the matter?" He had heard a sob. And though the little girl
drew back he pulled her to him. "You ain't cryin'? Hoity-toity! A
white apron, and hair all fixed, and the girls taking her right in,
and--crying!"
"But, pa, I can't make it stay. Jerusha won't wash white aprons, and
there ain't enough, anyway--and--it's so lonesome here with just
Jerusha! All the rest of the girls have some one standing close--as
close as that to them." And the little girl clutched at her father's
coat-sleeve to demonstrate the closeness of relationship, while the
sobs came thick and fast.
"Nobody but Jerusha!" The father brought his chair down from the wall,
and all the blood in his body seemed to rush to his face. "Nobody
standing close! Where be I standing? What am I going to the smelter
for, putting two days into one, if it ain't standing close?"
The man spoke impetuously, the words tumbling recklessly one over the
other, and the little girl's sobs were tumbling in the same way;
neither seemed inclined to stop the other.
"What'd I stand in front of Simonses show-window last night for,
looking at them posies they've got for Easter, if 'twasn't because I'd
liked to have brought the hull lot home? And why didn't I bring 'em
home? Just so as I could slip more money this month in under the
little bank winder. And what am I slippin' money into the bank for?
Why'd I buy them Jersey cows, and that bit o' mountain park, if
'twasn't because I knowed Jerusha was the best butter-maker in town,
and butter meant money, and money meant an easy time for you by and
by? Standin' close!"
The man's voice broke. The little girl had ceased crying and was
standing with wide, strained eyes fastened on her father. What did it
all mean?
But the father did not say what it meant. As one suddenly overtaken,
he pushed the cat from off his lap, rose, drew a long breath, and
reached for his hat.
Public-domain text, read in full here on John Shaqi.
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