The Transgressors. Story of a Great Sin. A Political Novel of the Twentieth CenturyAdams, Francis A. (Francis Alexandre)
General
The Transgressors. Story of a Great Sin. A Political Novel of the Twentieth Century
Adams, Francis A. (Francis Alexandre)
Political fiction
The nature of her mission gives her strength to travel over the rough
roadbed with incredible speed. Her eyes are upon the station, which
momentarily becomes more and more indistinct; she knows that if the
train starts up the grade she can see the headlight. Her lips move in an
articulate prayer that she may not see the light. So absorbed is she in
the thought of how to stop the train in the event of its passing the
station that she fails to see a culvert bridge. At the bridge the
roadbed terminates and a trestle carries the tracks for a distance of
fifteen yards. The culvert is dry nine mouths in the year, and is a
raging mountain torrent only in the spring.
Widow Braun rushes upon the trestle. Her steps are not regulated by the
ties, and almost instantly she falls between them. Her hands grasp the
rails on either side; but she has not sufficient strength to support
herself. With an agonizing cry she drops twenty feet upon the jagged
rocks below. Her head strikes a rock and she lies motionless.
Several minutes pass; then she regains consciousness. On attempting to
rise she finds that her ankle is sprained. Despite the agony it causes
her, the brave woman struggles to climb back to the track. It is now
quite dark and she realizes that the train must be along in a few
minutes. She cannot reach the station. But she may yet stop the train at
the culvert bridge.
A long shrill whistle sounds. It is the familiar signal of the Keystone
Express.
Regardless of the acute pain which every step causes her, the widow
scrambles over the rocks.
As she reaches the roadbed the express rumbles over the trestle. With a
cry of despair she sinks to the ground.
Sister Martha is acting her role of heroine at a point a mile and a half
further up the grade. She has posted herself where she can observe the
station and the summit of the grade.
At the side of the track she collects a dozen boulders, the heaviest she
can move. These she determines to put on the track to derail the car
which the miners are to send down the grade to wreck the train.
"Will the widow Braun stop the express?" Martha asks herself again and
again, as the terrible minutes of suspense pass. "Perhaps I should have
gone down the track instead of sending her."
Through the darkness a glimmer of light shines from the summit of the
mountain.
"The miners are in readiness. What shall I do?"
For an answer, the whistle of the train falls upon her ears.
She hesitates, then with an energy born of desperation she begins to
pile the rocks on the track. The ragged edges cut her tender fingers.
She works on unmindful of cuts and bruises.
Higher and higher the pyramid rises.
Only once does she glance down the track to see the train. Its great
headlight looks like a beacon. It is approaching nearer and nearer.
"Have they started the car?" Martha wonders. She can hear the rumble of
the train, but not a sound from the road above.
Public-domain text, read in full here on John Shaqi.
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