The Transgressors. Story of a Great Sin. A Political Novel of the Twentieth CenturyAdams, Francis A. (Francis Alexandre)
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The Transgressors. Story of a Great Sin. A Political Novel of the Twentieth Century
Adams, Francis A. (Francis Alexandre)
Political fiction
Anticipating that the crowd might demand the body of the
multi-millionaire, his faithful attendants have hurriedly removed it to
the top of the building. It is concealed in the apartments of the chief
butler. A superficial hunt fails to reveal its place of concealment.
This intensifies the eagerness of the people to find it. They are
positive it was on the premises, for the crowd without completely
surrounds the palace.
Again are the gorgeous furnishings of the forty rooms thrown
helter-skelter. Costly cabinets that refuse to yield to first pressure,
are wrenched open. The frightened butler and the corps of other servants
are impressed into the search. They are compelled to give up the keys to
all closets and rooms. As case after case of silver and gold service are
disclosed, the vulture element pounces upon them. For every piece there
are fifty contestants, and the result is a wild scrimmage which prevents
any one getting so much as a spoon without paying dearly for it.
Half an hour of vain search heats the tempers of the men to the fever
point. Those with the butler finally threaten him with instant death if
he does not disclose the whereabouts of the body, and reluctantly he
obeys. Hounds falling upon their quarry could not exhibit more ferocity
than the mob as it pounces upon the corpse.
Gorman Purdy had been seated in his library when his last summons came.
He was attired in full evening dress. On his shirt bosom, over the
heart, is a spot of blood. It shows where the bullet had found its mark.
A hurried consultation is held. It is decided that the body be carried
to the Potter's field and thrown into the open grave that is kept for
paupers.
Three men pick up the body and start to leave the house.
All this while the impatience of the throng outside has found vent in
ribald jests.
"One dead millionaire is better than an army of workmen," jeers one man.
"He has come to life and has offered to arbitrate," sneers another.
"Bring him out!" is the incessant cry of the thousands.
And now the cortege appears. O'Neil and three committeemen carry the
body of Metz. They pass between an avenue of men, who give way
deferentially.
On reaching the Esplanade the pall-bearers pause. They face toward the
bridge and wait for the procession to form. Then the trio who carry--or
to be precise, drag the body of Purdy--emerge.
A great shout is given as the masses catch a glimpse of the body of the
man who in his lifetime was their unmerciful master.
Darkness has supplanted the twilight. Now the contrast between light and
shade is sharp. At intervals of fifty feet along the Esplanade, wrought
iron gothic flambeaux support powerful electric lights. Objects beyond
the immediate radius of the lights are indistinguishable. The windows of
all the palaces are all closed and barricaded. From across the river the
accustomed flare of the furnaces is missing. The fires are extinguished.
Public-domain text, read in full here on John Shaqi.
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