The Travelling ThirdsAtherton, Gertrude Franklin Horn
General
The Travelling Thirds
Atherton, Gertrude Franklin Horn
Americans -- Spain -- Fiction; Voyages and travels -- Fiction
Then the low, soft, dreaming strains of music crept over to them and she
began to dance. She had known the old Spanish dances all her life and
loved them with all the wild blood in her, despising the more the
conventional whirl of the drawing-room. She danced none of these
to-night, however, but an improvisation, born of her knowledge of
Moorish traditions, the place, and the hour.
As Over realized what she purposed he stepped forward with the intention
of stopping the performance, enraged that other men should be in the
audience, but arrested by his distaste of a scene. In a moment he sank
down on his cushions, wondering that he had doubted her, for it was
apparent even in the first few moments that in spite of the graceful
abandon of her dancing there was to be nothing to suggest the coarseness
of the women that had danced on that spot before her.
But if the swinging and swaying and bending and whirling of her body
were without suggestiveness they were the very poetry of beauty. The
scarf was bound about her head and over her face below the eyes, but she
held a point in either hand, her arms sometimes extended, at others
describing curves that made the delicate tissue flutter like the many
wings of tiny birds. The spangles on her dress, the diamond buckles on
her slippers were 1000 points of light, for the moon was poised directly
overhead and flooding the court. The perfume of the scarf stole into the
senses of the staring company and completed the illusion, delicately
brushing with sensuousness what was otherwise an expression of the
rhythm of life, the dreaming of an ardent but virginal soul. So a
nautch-girl may have danced for the first time before a king, ignorant
then of what was expected of her, dissolving in the joy of rhythmical
motion, of innocent pride in her own young beauty.
The arches between the company and the dancer, the fountain above the
lions rising in a silver veil behind her, and beyond it the white,
shining arches with their moving shadows, the distant warbling of the
nightingales rising above the swooning music, the Oriental mystery in
the eyes above the veil—not one of her audience but surrendered himself,
although, in superficial fashion, all had recognized her.
And then, while their senses were locked, while they were hardly
conscious whether they slept or waked, a strange and terrible thing
happened. From the Room of the Two Sisters beside them the figure of a
man leaped like a sword from its scabbard, caught the dancer in his
arms, and disappeared whence it had come.
There was a fatal moment of incredulity; then Over leaped to his feet
and ran into the dark room. But he had no idea which way to turn, and
had lost himself in the Sala de los Ajimeces beyond when he heard Miss
Holmes cry, sharply:
“He mustn’t go alone, and at least I know every foot of the palace. The
man will make for the underground rooms or climb out of one of the
windows and down the hill to the Albaicin.”
Public-domain text, read in full here on John Shaqi.
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