There is no portrait of Marco Polo in existence with any claim to authenticity. The quaint figure which we give in the _Bibliography_, vol. ii. p. 555, extracted from the earliest printed edition of his book, can certainly make no such pretension. The oldest one after this is probably a picture in the collection of Monsignor Badia at Rome, of which I am now able, by the owner’s courtesy, to give a copy. It is set down in the catalogue to Titian, but is probably a work of 1600, or thereabouts, to which the aspect and costume belong. It is inscribed “_Marcus Polvs Venetvs Totivs Orbis et Indie Peregrator Primus._” Its history unfortunately cannot be traced, but I believe it came from a collection at Urbino. A marble statue was erected in his honour by a family at Venice in the 17th century, and is still to be seen in the Palazzo Morosini-Gattemburg in the Campo S. Stefano in that city. The medallion portrait on the wall of the _Sala dello Scudo_ in the ducal palace, and which was engraved in Bettom’s “Collection of Portraits of Illustrious Italians,” is a work of imagination painted by Francesco Griselini in 1761.[26] From this, however, was taken the medal by Fabris, which was struck in 1847 in honour of the last meeting of the Italian Congresso Scientifico; and from the medal again is copied, I believe, the elegant woodcut which adorns the introduction to M. Pauthier’s edition, though without any information as to its history. A handsome bust, by Augusto Gamba, has lately been placed among the illustrious Venetians in the inner arcade of the Ducal Palace.[27] There is also a mosaic portrait of Polo, opposite the similar portrait of Columbus in the Municipio at Genoa. [Illustration: S. Lorenzo as it was in the 15th century] [Sidenote: Further History of the Polo Family.] 49. From the short series of documents recently alluded to,[28] we gather all that we know of the remaining history of Marco Polo’s immediate family. We have seen in his will an indication that the two elder daughters, Fantina and Bellela, were married before his death. In 1333 we find the youngest, Moreta, also a married woman, and Bellela deceased. In 1336 we find that their mother Donata had died in the interval. We learn, too, that Fantina’s husband was MARCO BRAGADINO, and Moreta’s, RANUZZO DOLFINO.[29] The name of Bellela’s husband does not appear. Fantina’s husband is probably the Marco Bragadino, son of Pietro, who in 1346 is mentioned to have been sent as Provveditore-Generale to act against the Patriarch of Acquileia.[30] And in 1379 we find Donna Fantina herself, presumably in widowhood, assessed as a resident of S. Giovanni Grisostomo, on the _Estimo_ or forced loan for the Genoese war, at 1300 _lire_, whilst Pietro Bragadino of the same parish—her son as I imagine—is assessed at 1500 _lire_.[31] [See vol. ii., _Calendar_.]