Asia -- Description and travel -- Early works to 1800; Mongols -- History; Polo, Marco, 1254-1323?; Voyages and travels
XXV.—CONCERNING THE TWELVE BARONS WHO ARE SET OVER ALL THE
AFFAIRS OF THE GREAT KAAN 430
NOTE.—_The Ministers of the Mongol Dynasty. The term
|Sing|._
XXVI.—HOW THE KAAN’S POSTS AND RUNNERS ARE SPED THROUGH MANY
LANDS AND PROVINCES 433
NOTES.—1. _Textual._ 2. _The word |Yam|._ 3. _Government
Hostelries._ 4. _Digression from Ramusio._ 5. _Posts
Extraordinary._ 6. _Discipline of the Posts._ 7.
_Antiquity of Posts in China, etc._
XXVII.—HOW THE EMPEROR BESTOWS HELP ON HIS PEOPLE, WHEN THEY ARE
AFFLICTED WITH DEARTH OR MURRAIN 439
NOTE.—_Kúblái’s remissions, and justice._
XXVIII.—HOW THE GREAT KAAN CAUSES TREES TO BE PLANTED BY THE
HIGHWAYS 440
NOTE.—_Kúblái’s Avenues._
XXIX.—CONCERNING THE RICE-WINE DRUNK BY THE PEOPLE OF CATHAY 441
NOTE.—_Rice-wine._
XXX.—CONCERNING THE BLACK STONES THAT ARE DUG IN CATHAY, AND ARE
BURNT FOR FUEL 442
NOTE.—_Distribution and Consumption of Coal in China._
XXXI.—HOW THE GREAT KAAN CAUSES STORES OF CORN TO BE MADE, TO
HELP HIS PEOPLE WITHAL IN TIME OF DEARTH 443
NOTE.—_The Chinese Public Granaries._
XXXII.—OF THE CHARITY OF THE EMPEROR TO THE POOR 444
NOTE.—_Buddhist influence, and Chinese Charities._
XXXIII.—[CONCERNING THE ASTROLOGERS IN THE CITY OF CAMBALUC] 446
NOTES.—1. _The word |Tacuin|.—_The Chinese Almanacs. The
Observatory._ 2. _The Chinese and Mongol Cycle._
XXXIV.—[CONCERNING THE RELIGION OF THE CATHAYANS; THEIR VIEWS AS
TO THE SOUL; AND THEIR CUSTOMS] 456
NOTES.—1. _Textual._ 2. _Do._ 3. _Exceptions to the general
charge of Irreligion brought against the Chinese._
4. _Politeness._ 5. _Filial Piety._ 6. _Pocket
Spitoons._
EXPLANATORY LIST OF ILLUSTRATIONS TO VOLUME I.
INSERTED PLATES AND MAPS.
_To face
page_
_Title_ PORTRAIT of Sir HENRY YULE. From the Painting by Mr. T. B.
Wirgman, in the Royal Engineers’ Mess House at Chatham.
iv. Illuminated Title, with Medallion representing the POLOS
ARRIVING AT VENICE after 26 years’ absence, and being refused
admittance to the Family Mansion; as related by Ramusio, p.
_4_ of Introductory Essay. Drawn by Signor QUINTO CENNI, No.
7 Via Solferino, Milan; from a Design by the Editor.
_1._ DOORWAY of the HOUSE of MARCO POLO in the Corte Sabbionera at
Venice (see p. _27_). Woodcut from a drawing by Signor L.
ROSSO, Venice.
_26._ _Corte del Milione_, Venice.
_28._ _Malibran Theatre_, Venice.
Public-domain text, read in full here on John Shaqi.
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