[37] _Ollanta, an ancient Ynca Drama_, translated from the original Quichua. By Clements R. Markham, C.B. (Trübner, 1871.) Pp. 128, with introduction and notes. My translation, owing to my imperfect knowledge of the language, contained numerous mistakes, which have been duly pointed out by Zegarra, a native of the country, in his work published subsequently. [38] _“Ollanta o’ sea la severidad de un Padre y la clemencia de un Rey_, drama dividido en tres actos, traducido del Quichua al Castellano, cos notas diversas, por José S. Barranca.” (Lima, 1868.) Pp. 16 and 71. [39] “_Los vinculos de Ollanta y Cusi Kcuyllor, Drama en Quichua._ Obra compilada y espurgada con la version Castellana al frente de su testo por el Dr. José Fernandez Nodal, Abogado de los tribunales de justicia de la Republica del Peru: bajo los auspicios de La Redentora Sociedad de Filantropos para mejorar la suerte de los Aborijenes Peruanos.” (Ayacucho, en el deposito del Autor.) Dr. Nodal commenced, but never completed, an English translation. [40] “_Ollanta._ Ein Altperuanisches Drama aus der Kechuasprache. Ubersetzt und commentirt von J. J. von Tschudi.” (Wien, 1875.) 4to., pp. 220. [41] Lopez also tells us that his father was a personal friend of Dr. Valdez, and never heard that the learned Quichua scholar was the author of _Ollantay_. On the contrary, he believed that the drama was very ancient. Mariano Moreno, another intimate friend of Dr. Valdez, bears the same testimony. _Races Aryennes_, p. 325. [42] _Collection Linguistique Americaine._ Tome iv. “Ollantaï, drama en vers Quechuas du temps des Incas: traduit et commenté.” Par Gavino Pacheco Zegarra. Paris: Maisonneuve et Cie., 25, Quai Voltaire, 1878, pp. clxxiv and 265. At the end there is a vocabulary of all the words in the text of _Ollantay_. [43] In my book, _Cuzco and Lima_, 1853, written when I was twenty-two, immediately after transcribing the Justiniani version, I assumed the antiquity of the drama. But in my later work, _Travels in Peru and India_ (1862), I expressed a doubt, and inclined to the opinion that Dr. Valdez was the author (Note, p. 138). A subsequent detailed and critical study of the text obliged me to revert to my former belief that _Ollantay_ was, in the main, a composition of Ynca origin, dating from before the conquest. All I have since read has confirmed me in this opinion. [44] See p. 51. [45] P. 116. [46] Don Vicente Lopez suggests the following derivation for the name of Ollantay. The second part, _Antay_, signifies “of the Andes”, anything belonging to the Andes. _Oll_ would be a corruption of _Ull_ or _Uill_. The correct form would be _Uill-Antay_ or _Uilla Antay_. _Uilla_ means a legend, tradition, or history, _The Legend of the Andes_. Several of the manuscripts have _Apu-Ollantay_, _Apu_, meaning chief, “_The Legend of the Chief of the Andes_.”