you knew that you were going to die to-night, or merely that you would have to go away and never return, would you, looking upon men and things for the last time, see them in the same light that you have hitherto seen them? Would you not love as you never yet have loved? Is it the virtue or evil of the appearances around you that would be magnified? Would it be given you to behold the beauty or the ugliness of the soul? Would not everything, down to actual evil and suffering, be transformed into love, overflowing with gentlest tears? Does not, to quote the sage, each opportunity for pardon rob departure or death of something of its bitterness? And yet, in the radiance or sorrow or death, is it towards truth or error that one has taken the last steps one is allowed to take? Is it the living or the dying who can see and are in the right? Ah! thrice happy they who have thought, spoken, and acted so as to receive the approval of those who are about to die, or to whom a great sorrow has given clearer insight! The sage, to whom none would hearken in life, can meet with no sweeter reward. If you have lived in obscure beauty, you have no cause for disquiet. At the end there must always sound within the heart of man an hour of supreme justice; and misfortune opens eyes that were never open before. Who knows whether at this very moment your shadow be not passing over the soul of a dying man and be not recognised by him as the shadow of one who already knew the truth? May it not be at the bedside of the last agony that is woven the veritable and most precious crown of sage and hero, and of all who have known how to live earnestly amid the sorrows, lofty, pure, and discreet, of life according to the soul?