To ask the curators to change their policy, and to purchase only those objects which are legitimately on sale, would, of course, be as futile as to ask the nations to disarm. The rivalry between museum and museum would alone prevent a cessation of this indiscriminate traffic. I can see only one way in which a more sane and moral attitude can be introduced, and that is by the development of the habit of visiting Egypt and of working upon archaeological subjects in the shadow of the actual monuments. Only the person who is familiar with Egypt can know the cost of supplying the stay-at-home scholar with exhibits for his museums. Only one who has resided in Egypt can understand the fact that Egypt itself is the true museum for Egyptian antiquities. He alone can appreciate the work of the Egyptian Government in preserving the remains of ancient days. The resident in Egypt, interested in archaeology, comes to look with a kind of horror upon museums, and to feel extraordinary hostility to what may be called the museum spirit. He sees with his own eyes the half-destroyed tombs, which to the museum curator are things far off and not visualised. While the curator is blandly saying to his visitor: "See, I will now show you a beautiful fragment of sculpture from a distant and little-known Theban tomb," the white resident in Egypt, with black murder in his heart, is saying: "See, I will show you a beautiful tomb of which the best part of one wall is utterly destroyed that a fragment might be hacked out for a distant and little-known European museum." To a resident in Europe, Egypt seems to be a strange and barbaric land, far, far away beyond the hills and seas; and her monuments are thought to be at the mercy of wild Bedwin Arabs. In the less recent travel books there is not a published drawing of a temple in the Nile valley but has its complement of Arab figures grouped in picturesque attitudes. Here a fire is being lit at the base of a column, and the black smoke curls upwards to destroy the paintings thereon; here a group of children sport upon the lap of a colossal statue; and here an Arab tethers his camel at the steps of the high altar. It is felt, thus, that the objects exhibited in European museums have been _rescued_ from Egypt and recovered from a distant land. This is not so. They have been snatched from Egypt and lost to the country of their origin.