The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
Smollett’s “Humphrey Clinker” (1771) is the last of his novels and the
only one in which there is effective use of Nature. Smollett was born
and brought up in the valley of the Leven; and he spent some months
there before the final trip to Italy for his health. He was in Leghorn
about a year before he died, and during this year he wrote “Humphrey
Clinker.” It recounts the travels of Matthew Bramble in search of
health. The love of Nature comes out chiefly in the letters supposed to
be written from Scotland. He speaks with pleasure of the “huge dusky
mountains of the West Highlands, piled one over another,” and of Loch
Lomond, that “surprising body of pure, transparent water, unfathomably
deep in many places,” with its green, wooded islands. His delight in
the wild scenery of Scotland is thus expressed:
I have seen the Lago di Gardi, Albano, De Vico, Bolsena, and
Geneva, and upon my honor, I prefer Loch Lomond to them all; a
preference which is certainly owing to the verdant islands that
seem to float upon its surface, affording the most enchanting
objects of repose to the excursive view. Nor are the banks
destitute of beauties, which even partake of the sublime. On
this side they display a sweet variety of woodland, cornfield,
and pasture, with several agreeable villas emerging as it were
out of the lake, till at some distance the prospect terminates
in huge mountains, covered with heath, which being in the bloom,
affords a very rich covering of purple. Everything here is
romantic beyond imagination.... Above the house is a romantic
glen or cleft of a mountain covered with hanging woods, having
at bottom a stream of fine water that forms a number of cascades
in its descent to form the Leven; so that the scene is quite
enchanting.... This country is amazingly wild, especially
towards the mountains, which are heaped upon the backs of one
another, making a most stupendous appearance of savage nature,
with hardly any signs of cultivation, or even of population. All
is sublimity, silence, and solitude (pp. 261–65).
On the country of Ossian he says:
These are the lonely hills of Morven, where Fingal and his
heroes enjoyed the same pastime. I feel an enthusiastic pleasure
when I survey the brown heath that Ossian was wont to tread; and
hear the wind whistle through the bending grass.... The poems of
Ossian are in every mouth.
Smollett’s love for the Leven, that “charming stream ... transparent,
pastoral, delightful,” is further evidenced by this “Ode to the Leven,”
a single stanza of which may be quoted here:
Pure stream in whose transparent wave
My youthful limbs I wont to lave;
No torrents stain thy limpid source,
No rocks impede thy dimpling course,
That sweetly warbles o’er its bed,
With white round polished pebbles spread (p. 262).
Public-domain text, read in full here on John Shaqi.
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