The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
On the opposite side of the river lay an extensive savannah,
alive with cattle and coloured with such a variety of swamp
plants that their colour, even at that distance, detracted
something from the vivid green of the new-sprung grass.... The
acclivity on which the tents stood sinking very suddenly on the
left, there gave place to a cypress swamp ... while the rocks
rising suddenly and sharply were clothed with wood of various
species; the evergreen oak, the scarlet oak, the tulip tree
and magnolia, seemed bound together by festoons of flowers,
some resembling the convolvuluses of our garden, and others the
various sorts of clematis with vegenias and the Virginia creeper
... beneath these fragrant wreaths that wound about the trees,
tufts of rhododendrons, and azalia, of andromedas and calmias,
grew in the luxuriant beauty; and strawberries already ripening,
or even ripe, peeped forth among the rich vegetation of grass
and flowers.
Mrs. Smith’s imagination certainly had other laws than the dull ones
imposed by the facts of the case. She could hardly have mixed up zones
and seasons and flowers and fruits more successfully if she had tried.
But the notable point here is that there was in her mind an instinctive
and inevitable dwelling upon the scenery of the country through which
she led her hero. The English scenes are much better. The following
passage shows well her emotional openness to the influence of Nature.
Just as he arrived at the water, from the deep gloom of the
tall firs through which he passed, the moon appeared behind the
opposite coppices, and threw her long line of trembling radiance
on the water. It was a cold but clear evening, and, though early
in November, the trees were not yet entirely stripped of their
discoloured leaves; a low wind sounded hollow through the firs
and stone pines over his head, and then faintly sighed among
the reeds that crowded into the water; no other sound was heard
but, at distant intervals, the cry of the wild fowl concealed
among them, or the dull murmur of the current, which was now
low. Orlando had hardly ever felt himself so impressed with
those feelings which inspire poetic effusions: Nature appeared
to pause and to ask the turbulent and troubled heart of man,
whether his silly pursuits were worth the toil he undertook for
them. Peace and tranquillity seemed here to have retired to a
transient abode; and Orlando, as slowly he traversed the narrow
path over ground made hollow by the roots of these old trees,
stepped as lightly as if he feared to disturb them. Insensibly
he began to compare this scene, the scene he every day saw of
rural beauty and rural content with those into which his destiny
was about to lead him.
Public-domain text, read in full here on John Shaqi.
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