The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
Gray’s published letters extend from 1739 to 1770. Scattered through
these are occasional passages indicative of a genuine love of Nature.
In the midst of a humorous letter to Walpole (Sept. 1737) he speaks
of “venerable beeches ... always dreaming out their old stories to
the winds.” After he came back from Scotland, in 1765, he wrote to Mr.
Mason:
I am returned from Scotland charmed with my expedition; it is
of the Highlands I speak; the Lowlands are worth seeing once,
but the mountains are ecstatic, and ought to be visited in
pilgrimage once a year. None but these monstrous creatures of
God know how to join so much beauty with so much horror. A fig
for your poets, painters, gardeners, and clergymen, that have
not been up among them; their imagination can be made up of
nothing but bowling-greens, flowering shrubs, horse-ponds, Fleet
ditches, shell-grottoes, and Chinese rails.
So early as 1739 he expressed his dislike of formal gardens in his
sarcastic description of the grounds at Versailles. The same feeling
of irritation at the preponderance of art over Nature recurs in his
description of Warwick in 1754. That even the most natural garden did
not satisfy Gray as did wild Nature we see from Mason’s lines written
just after the death of Gray. He evidently had not approved of “The
Garden” as a subject for a poem and Mason represents him as saying:
“Why waste thy numbers on a trivial art,
That ill can mimic e’en the humblest charms
Of all-majestic Nature?” At the words
His eye would glisten, and his accents glow
With all the poet’s frenzy. “Sovereign Queen!
Behold, and tremble, while thou view’st her state
Throned on the heights of Skiddaw; call thy art
To build her such a throne; that art will feel
How vain her best pretensions. Trace her march
Amid the purple crags of Borrowdale,” etc.
In general, however, the testimony of the letters is to a scientific
rather than a poetic love of Nature. There are many exact records of
the weather, of the coming crops, of the blossoming of flowers. A
single example may serve as typical. It is a record of observations
made at Stoke Pogis in July, 1754.
Barley was in ear on the first day; gray and white peas in
bloom. The bean flowers were going off. Duke-cherries in plenty
on the 5th; hearts were also ripe. Green melons on the 6th, but
watry and not sweet. Currants began to ripen on the 8th, and red
gooseberries had changed color.
And so on with nearly a hundred more of the tabulated natural facts.
Of Gray as a traveler Sir James Mackintosh is quoted by Mitford as
saying: “Gray was the _first_ discoverer of the natural beauties
in England, and has marked out the course of every picturesque journey
that can be made in it.”
Public-domain text, read in full here on John Shaqi.
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