The treatment of nature in English poetry between Pope and WordsworthReynolds, Myra
History
The treatment of nature in English poetry between Pope and Wordsworth
Reynolds, Myra
English poetry -- History and criticism; Nature in literature
To begin with, Nature gives peace. This is the gift most often spoken
of. Even John Philips said that Nature calmed his mind. Ambrose Philips
liked the songs of birds because they brought him into a mood of “sweet
and gentle composure.” Lady Winchilsea enjoyed the night because its
influence disposed her heart to silent musings and made her conscious
of a “sedate content.” Parnell had long vainly sought contentment until
at last his heart received the message of peace through the voices of
Nature. Hamilton said that all the passions in the troubled breast of
man could be calmed by the quiet of a grove. Thomson finds in Nature
a power that can “serene his soul” and “harmonize his heart.” Dyer
finds peace and quiet in “the meads and mountain-heads.” Mallet follows
Thomson in thought and phrase when he represents that Nature has power
to “serene the soul.” Akenside says that the spirit of Nature lulls
man’s passions to a divine repose. Cooper says that a contemplation of
the order and regularity in Nature’s life will induce a like harmonious
action in the human heart, and that the fiercest passions of horror and
revenge can be soothed by Nature. Joseph Warton says that all Nature
conspires to soothe and harmonize the mind. William Whitehead speaks
of the “philosophic calmness” that comes to man from Nature. Beattie’s
hermit found in Nature a power that could subdue the wildest passions
and give “profound repose.” Bruce found in Nature “harmony of mind.”
Bowles felt a “soothing charm” that brought “solace to his heart” and
“bore him on serene.” So, too, was it with Cowper. Nature gave him
heart-consoling joys, and brought peace and quiet into his life. This
power of Nature to soothe the mind of man and to modify his passions
receives full expression also in Mrs. Radcliffe’s romances.
Public-domain text, read in full here on John Shaqi.
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