West, Mr., 227, 241, 324. Whately, Thomas, 265. Whitehead, William, 112, 145–46, 332, 356. Whitman, Alfred, 280. “Wilson, Etchings after Richard” (Hastings), 302. Wilson, Richard, 287, 296–304, 309, 310, 311, 314, 315, 316, 328, 342. For books on Wilson _see_ under authors: Beaumont, Fletcher, Ruskin, Wright. “Wilson, Studies and Designs by,” 302. “Wilson, Thirty-seven Sketches and Designs by,” 302. Winchilsea, Lady, vi, 23, 59, 61–64, 83, 117, 249, 271; in General Summary _passim_. Wissing, William, 276. Wolcot, John, 314. Woollett, William, 301, 302. Wootten, John, 288, 325. Wordsworth, William, v, xvii, xviii, xix, xx, 6, 7, 19, 23, 27, 33, 37, 38, 45, 50, 58, 61, 63, 64, 68, 72, 80, 81, 93, 97, 101, 105, 118, 121, 124, 125, 126, 134, 136, 139, 143, 148, 151, 165, 169, 172, 177, 180, 190, 191, 193, 239, 244, 301, 320; in General Summary _passim_. Wright, Richard, 313. Yalden, John, 11, 20, 31, 42. Young, Arthur, 228–30, 232, 241, 344, 348, 355. Young, Edward, 5, 15, 16, 20, 21, 22, 30, 31, 89, 112, 119–21, 147, 359, 361, 363. “Zeitschrift für Litteraturgeschichte,” xvii. “Zeluco” (Moore), 216. Zucarelli, A., 297. FOOTNOTES: [1] Humboldt was the first to attack Schiller’s view. He said that after a full reading of Greek and Roman authors he found himself unable to accept Schiller’s statement without many reservations. Later Biese spoke of Schiller’s essay as “jener bahnbrechende Aufsatz,” but showed that the statement of the case was inadequate because it was based on the poetry of a single period and thus failed to take account of many phases of Nature presented in the poetry after the brief “reflexionslose naive homerische Zeit.” [2] Biese has two earlier important books: “Die Entwickelung des Naturgefühls bei den Griechen” (1882) and “Die Entwickelung des Naturgefühls bei den Römern” (1884). In “Zeitschrift für vergleichende Litteraturgeschichte,” Neue Folge, Siebenter Band (1894), p. 311, is a valuable annotated summary of recent (since 1882) German studies on “das antike und das deutsche Naturgefühl.” [3] (_a_) They express childlike delight in the open-air world. (_b_) They use Nature as the background or setting for human action or emotion. (_c_) They see Nature through historic coloring. (_d_) They make Nature sympathize with their own feelings. (_e_) They dwell upon the inhuman or infinite side of Nature. (_f_) They give description for its own sake. (_g_) They interpret Nature by imaginative sympathy. (_h_) They use Nature as a symbol of spirit.