Women -- Suffrage -- Great Britain -- Fiction; World War, 1914-1918 -- Great Britain -- Fiction
"Of course you would. And there's another thing. You weren't straight
about it. You never told me you were going."
"I never told you I wasn't."
"I don't care, Dorothy; you weren't straight. You ought to have told
me."
"How could I tell you when I knew you'd only go trying to stop me and
getting yourself arrested."
"Not me. They wouldn't have touched me."
"How was I to know that? If they had I should have dished you. And I'd
have stayed away rather than do that. I didn't tell Michael or Nicky or
Father for the same reason."
"You'd have stayed at home rather than have dished me? Do you really
mean that?"
"Of course I mean it. And I meant it. It's you," she said, "who don't
care."
"How do you make that out?"
He really wanted to know. He really wanted, if it were possible, to
understand her.
"I make it out this way. Here have I been through the adventure and the
experience of my life. I was in the thick of the big raid; I was four
weeks shut up in a prison cell; and you don't care; you're not
interested. You never said to yourself, 'Dorothy was in the big raid, I
wonder what happened to her?' or 'Dorothy's in prison, I wonder how
she's feeling?' You didn't care; you weren't interested.
"If it had happened to you, I couldn't have thought of anything else, I
couldn't have got it out of my head. I should have been wondering all
the time what you were feeling; I couldn't have rested till I knew. It
would have been as if I was in prison myself. And now, when I've come
out, all you think of is how you can rag and score off me."
She was sitting beside him on the green bank of the lane. Her hands were
clasped round her knees. One knickerbockered knee protruded through the
three-cornered rent in her skirt; she stared across the road, a long,
straight stare that took no heed of what she saw, the grey road, and
the green bank on the other side, topped by its hedge of trees.
Her voice sounded quiet in the quiet lane; it had no accent of self-pity
or reproach. It was as if she were making statements that had no
emotional significance whatever.
She did not mean to hurt him, yet every word cut where he was sorest.
"I wanted to tell you about it. I counted the days, the minutes till I
could tell you; but you wouldn't listen. You don't want to hear."
"I won't listen if it's about women's suffrage. And I don't want to hear
if it's anything awful about you."
"It is about me, but it isn't awful.
"That's what I want to tell you.
Public-domain text, read in full here on John Shaqi.
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