Everything out of doors was unreal, like a show, like a peepshow.
Helena was an actress somewhere in the brightness of this view. He
alone was out of the piece. He sighed petulantly, pressing back his
shoulders as if they ached. His arms, too, ached with irritation, while
his head seemed to be hissing with angry irritability. For a long time
he sat with clenched teeth, merely holding himself in check. In his
present state of irritability everything that occurred to his mind
stirred him with dislike or disgust. Helena, music, the pleasant
company of friends, the sunshine of the country, each, as it offered
itself to his thoughts, was met by an angry contempt, was rejected
scornfully. As nothing could please or distract him, the only thing
that remained was to support the discord. He felt as if he were a limb
out of joint from the body of life: there occurred to his imagination a
disjointed finger, swollen and discoloured, racked with pains. The
question was, How should he reset himself into joint? The body of life
for him meant Beatrice, his children, Helena, the Comic Opera, his
friends of the orchestra. How could he set himself again into joint
with these? It was impossible. Towards his family he would henceforward
have to bear himself with humility. That was a cynicism. He would have
to leave Helena, which he could not do. He would have to play
strenuously, night after night, the music of _The Saucy Little Switzer_
which was absurd. In fine, it was all absurd and impossible. Very well,
then, that being so, what remained possible? Why, to depart. “If thine
hand offend thee, cut it off.” He could cut himself off from life. It
was plain and straightforward.
But Beatrice, his young children, without him! He was bound by an
agreement which there was no discrediting to provide for them. Very
well, he must provide for them. And then what? Humiliation at home,
Helena forsaken, musical comedy night after night. That was
insufferable—impossible! Like a man tangled up in a rope, he was not
strong enough to free himself. He could not break with Helena and
return to a degrading life at home; he could not leave his children and
go to Helena.
Very well, it was impossible! Then there remained only one door which
he could open in this prison corridor of life. Siegmund looked round
the room. He could get his razor, or he could hang himself. He had
thought of the two ways before. Yet now he was unprovided. His
portmanteau stood at the foot of the bed, its straps flung loose. A
portmanteau strap would do. Then it should be a portmanteau strap!
“Very well!” said Siegmund, “it is finally settled. I had better write
to Helena, and tell her, and say to her she must go on. I’d better tell
her.”
He sat for a long time with his notebook and a pencil, but he wrote
nothing. At last he gave up.
Public-domain text, read in full here on John Shaqi.
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