He went straight to the painter, who lived in an outlying part of town
which was very near to the court offices, although this area was even
poorer, the houses were darker, the streets were full of dirt that
slowly blew about over the half-melted snow. In the great gateway to
the building where the painter lived only one of the two doors was open,
a hole had been broken open in the wall by the other door, and as K.
approached it a repulsive, yellow, steaming liquid shot out causing
some rats to scurry away into the nearby canal. Down by the staircase
there was a small child lying on its belly crying, but it could hardly
be heard because of the noise from a metal-workshop on the other side
of the entrance hall, drowning out any other sound. The door to the
workshop was open, three workers stood in a circle around some piece of
work that they were beating with hammers. A large tin plate hung on the
wall, casting a pale light that pushed its way in between two of the
workers, lighting up their faces and their work-aprons. K. did no more
than glance at any of these things, he wanted to get things over with
here as soon as possible, to exchange just a few words to find out how
things stood with the painter and go straight back to the bank. Even if
he had just some tiny success here it would still have a good effect on
his work at the bank for that day. On the third floor he had to slow
down his pace, he was quite out of breath--the steps, just like the
height of each floor, were much higher than they needed to be and he'd
been told that the painter lived right up in the attic. The air was
also quite oppressive, there was no proper stairwell and the narrow
steps were closed in by walls on both sides with no more than a small,
high window here and there. Just as K. paused for a while some young
girls ran out of one of the flats and rushed higher up the stairs,
laughing. K. followed them slowly, caught up with one of the girls who
had stumbled and been left behind by the others, and asked her as they
went up side by side, "Is there a painter, Titorelli, who lives here?"
The girl, hardly thirteen years old and somewhat hunchbacked, jabbed
him with her elbow and looked at him sideways. Her youth and her bodily
defects had done nothing to stop her being already quite depraved. She
did not smile once, but looked at K. earnestly, with sharp, acquisitive
eyes. K. pretended not to notice her behaviour and asked, "Do you know
Titorelli, the painter?" She nodded and asked in reply, "What d'you
want to see him for?" K. thought it would be to his advantage quickly to
find out something more about Titorelli. "I want to have him paint my
portrait," he said. "Paint your portrait?" she asked, opening her mouth
too wide and lightly hitting K. with her hand as if he had said
something extraordinarily surprising or clumsy, with both hands she
lifted her skirt, which was already very short, and, as fast as she
Public-domain text, read in full here on John Shaqi.
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