rather, to be a perfect depiction of the God of the Hunt. K. found the
painter's work more engrossing than he had wanted; but finally he
reproached himself for staying so long without having done anything
relevant to his own affair. "What's the name of this judge?" he asked
suddenly. "I'm not allowed to tell you that," the painter answered. He
was bent deeply over the picture and clearly neglecting his guest who,
at first, he had received with such care. K. took this to be just a
foible of the painter's, and it irritated him as it made him lose time.
"I take it you must be a trustee of the court," he said. The painter
immediately put his crayons down, stood upright, rubbed his hands
together and looked at K. with a smile. "Always straight out with the
truth," he said. "You want to learn something about the court, like it
says in your letter of recommendation, but then you start talking about
my pictures to get me on your side. Still, I won't hold it against you,
you weren't to know that that was entirely the wrong thing to try with
me. Oh, please!" he said sharply, repelling K.'s attempt to make some
objection. He then continued, "And besides, you're quite right in your
comment that I'm a trustee of the court." He made a pause, as if
wanting to give K. the time to come to terms with this fact. The girls
could once more be heard from behind the door. They were probably
pressed around the keyhole, perhaps they could even see into the room
through the gaps in the planks. K. forewent the opportunity to excuse
himself in some way as he did not wish to distract the painter from what
he was saying, or else perhaps he didn't want him to get too far above
himself and in this way make himself to some extent unattainable, so he
asked, "Is that a publicly acknowledged position?" "No," was the
painter's curt reply, as if the question prevented him saying any more.
But K. wanted him to continue speaking and said, "Well, positions like
that, that aren't officially acknowledged, can often have more influence
than those that are." "And that's how it is with me," said the painter,
and nodded with a frown. "I was talking about your case with the
manufacturer yesterday, and he asked me if I wouldn't like to help you,
and I answered: 'He can come and see me if he likes,' and now I'm
pleased to see you here so soon. This business seems to be quite
important to you, and, of course, I'm not surprised at that. Would you
not like to take your coat off now?" K. had intended to stay for only a
very short time, but the painter's invitation was nonetheless very
welcome. The air in the room had slowly become quite oppressive for him,
he had several times looked in amazement at a small, iron stove in the
corner that certainly could not have been lit, the heat of the room was
inexplicable. As he took off his winter overcoat and also unbuttoned
his frock coat the painter said to him in apology, "I must have warmth.
And it is very cosy here, isn't it.
Public-domain text, read in full here on John Shaqi.
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