In the distance there was a large triangle of candles flickering on the
main altar, K. was not certain whether he had seen them earlier.
Perhaps they had only just been lit. Church staff creep silently as
part of their job, you don't notice them. When K. happened to turn
round he also saw a tall, stout candle attached to a column not far
behind him. It was all very pretty, but totally inadequate to illuminate
the pictures which were usually left in the darkness of the side
altars, and seemed to make the darkness all the deeper. It was
discourteous of the Italian not to come but it was also sensible of him,
there would have been nothing to see, they would have had to content
themselves with seeking out a few pictures with K.'s electric pocket
torch and looking at them one small part at a time. K. went over to a
nearby side chapel to see what they could have hoped for, he went up a
few steps to a low marble railing and leant over it to look at the altar
picture by the light of his torch. The eternal light hung disturbingly
in front of it. The first thing that K. partly saw and partly guessed at
was a large knight in armour who was shown at the far edge of the
painting. He was leaning on his sword that he had stuck into the naked
ground in front of him where only a few blades of grass grew here and
there. He seemed to be paying close attention to something that was
being played out in front of him. It was astonishing to see how he stood
there without going any closer. Perhaps it was his job to stand guard.
It was a long time since K. had looked at any pictures and he studied
the knight for a long time even though he had continually to blink as
he found it difficult to bear the green light of his torch. Then when
he moved the light to the other parts of the picture he found an
interment of Christ shown in the usual way, it was also a comparatively
new painting. He put his torch away and went back to his place.
Public-domain text, read in full here on John Shaqi.
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