Mystery fiction; Trials (Murder) -- Fiction; United States -- Fiction
"Did Miss Blake sign anything during that interview at Mr. Lamson's
office, while you were present?"
"She did, sir. The stenographic record of the interrogation was typed by
Miss Wallingford. Miss Blake then read it, and signed it--signed the
written statement that the answers given by her and recorded in the
transcript were true to the best of her knowledge and belief. Her
signature was witnessed by Mr. Lamson and yourself, and Mr. Lamson
requested me to read and initial the pages of the typescript, which I
did."
"If it please the Court--" and Cecil was gone again, looming over
yonder, examining the pages, large ones this time, impressive legal
size. More window-dressing. But discussion was longer; she grew
inattentive in her drowsiness. She heard Hunter remark that the
transcript would be read after cross-examination of Sergeant Rankin--if,
said the bald polite man with the shovel chin, Mr. Warner elected to
cross-examine. Cecil grunted. A side-bar huddle followed that. Some of
the time she knew her eyelids had drooped, hiding her in a murmurous
partial darkness; some of the time she was watching, with an abstract
friendliness and faraway approval, the thoughtful and still puzzled
features of Judge Terence Mann. _I can't explain it either, Judge.
According to my own biased notions, I'm not mad, at least no more than
my old buddy Hamlet, who also had a mother. Gets complicated there,
because Hamlet was decidedly male, I think, any side up, while I'm every
inch a wench. Ask Rankin. You see_--
It disturbed her, to reflect how little any of those present would ever
know about her. They looked at her; anyway their eyes did. In a few days
they would hear her talk from that dizzy isolation of the witness stand;
anyway their ears would register certain sounds. Already through the
testimony their mental vision (imperfect, cloudy, variously preoccupied)
had watched her squeaking grass-blades with the Wayne kids, snapping at
poor Cousin Maud on the front porch. They had seen her (through the fogs
and excitements of their own scrambled sexual histories) caught in that
slow frenzy--(_wearing a blouse_)--on the divan in Jim's office, under
the glazed smirk of an "art"-calendar nude. _Who were you then,
Callista?--what were you then?_ They had seen her, guilty or innocent,
standing by black water, under hemlocks, under a hazy moon.
But they did not know her.
They could not communicate with the inner spectator-participator. It had
needed nineteen years to create the Monkshood Girl, a short time, yet
to the jurors, the Judge, Cecil, even to Edith, the nineteen years
amounted to an infinite complexity never to be explored. They could not
watch the golden kitten Bonnie, nor Aunt Cora. They could not learn of
the young discoveries: language, music; endless expansion of the visible
world as her hand acquired certain powers of dealing with line and color
and mass or began to acquire it. They had no vision for the dreams of
her sleep, or the waking dreams.
Public-domain text, read in full here on John Shaqi.
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