Mystery fiction; Trials (Murder) -- Fiction; United States -- Fiction
"Well, I--see what you mean of course." He stood tall and drooping near
her, so that she must bend her neck awkwardly to see his face as he went
on, driven by some compulsion to talk when perhaps he had no real wish
to do so: "Strange thing--had a dream a while ago, possibly an echo of
my reading--Huck Finn likely. Lost in a fog, on a raft, watching the
river stream past me--sometimes the water'd slop up between chinks in
the logs. All under a milky fog, no landmarks, but I could see the river
all the time, the dark flow of it, now and then trash and broken things
sliding past. It went on, you know, years, a hundred years, who could
say? And I thought I was motionless, nothing more than a pair of eyes,
brain somewhere back of them. Well, but--here was the nightmare, you
see--I suddenly understood that I was drifting too, had been all the
time. Doesn't sound like anything in the telling, but it was horrible--I
can't tell you. Drifting all the time when I thought only the river was
in motion. The sleeping brain's comment on myself, you see?--myself as
summing up all human stupidity. Or blindness--much kinder word, isn't
it? 'So may you, when the music's done, awake and see the rising
sun'--that's from Thomas Carew, I think, died 1639 or around there. My
head is an attic, you know, full of little facts with dust on them. They
were so concerned, those poets, with treating love itself as a work of
art, you'd think to read them superficially they had nothing else on
their minds. But there was a depth, Miss Nolan, something you don't
discover right away. All that polish, glitter, gracefulness, word-play,
that was something they produced _after_ accepting the squalor and
danger and confusion of seventeenth-century living. They knew what they
were doing. Reading the avant-garde stuff of nowadays, usually the
contrast is merely grotesque, still I keep finding parallels. Here and
there. It keeps an old man interested. Well, I'm babbling like second
childhood. Telling dreams, at my age! Look, can I get you anything? I
think I'll take a walk around the block, can't sit still. Coke?
Sandwich?"
"I guess not, thanks all the same. Jumpy stomach."
"Mm, I know." Her neck ached. _Please go!_ He was leaning down, a
remote, remotely friendly ghost, a friend of Thomas Carew, also a
human being in distress. "A thing like this--you know, Miss Nolan,
I believe the very worst of it is that we _forget_. Because we
have to, maybe. We're beaten down somehow, used up, licked in the
end by the daily littleness--head colds, weakening eyesight, the
brush-your-teeth-and-put-out-the-milk-bottles sort of thing, and there's
no defense." At any other time, Edith thought, she would have enjoyed
listening to this particular Herb Chalmers. "My God, littleness steals
everything, including the last breath. And before then, you see, no
matter what we resolve, what we hope for--we forget."
"I sha'n't forget."
Public-domain text, read in full here on John Shaqi.
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