Mystery fiction; Trials (Murder) -- Fiction; United States -- Fiction
"You don't think so now?"
She herself had heard the wiry unpleasant note of pain in her voice: "No
comment." And Mr. Lamson had heard it, and could not quite hide a brief
flare of gratification, a thin spear of flame shooting up from an ember
behind his eyes. Oh, he was doubtless a decent and respectable man,
father of a family, pillar of the church. It would be only her sickened
imagination that made him something with a whip out of Krafft-Ebing.
"Miss Blake, you ought to understand that what we are trying to do here
is to discover the truth."
"What is truth?"
"No comment."
"Mr. Lamson, since she must have got the poison in my apartment, and
since I shouldn't have had it there, I do feel remorse. But I am not
breaking down and screaming at sight of these pictures, because that is
not my way."
"Oh, now, the pictures aren't all that important, Miss Blake. No
occasion to make such an issue of the pictures. I thought it might be to
your interest to look at them, since a jury will. The whole point, my
dear girl--the whole point is we just don't believe your story."
Cecil Warner came back from the side-bar discussion, looking rather
blind. He murmured: "Couldn't do much, Cal. They're all going in. An
open protest would just antagonize the jury."
"Does it really matter? She'd look the same whether she fell in or was
pushed."
"Dear--I'll be saying that of course. But it assumes that twelve minds
can respect logic."
Hunter and Sergeant Peterson were being immensely fair. Finished now
with the portraits of death, they were showing a photograph of a
blunt-toed shoe superimposed on another mark. Peterson was even wordy
and boring, explaining unnecessarily how you could tell that the
footprint was made later. Then came photographs of the disturbed areas
at other parts of the bank, and of the flat rock by the water's edge
that would take no sign.
The rock. Cecil ought not to be looking so distressed for her. Behind
her hand she whispered: "Peterson must have held his camera right where
I stood. If the moon hadn't come out of a cloud--I wonder, Cecil--would
I have refused to understand she was there? It was a small cloud but
deep, suddenly come, suddenly gone. The rock--I used to sit there for
hours when I was a little girl, and dabble my feet. It was the first
thing I saw, and suddenly, you understand?--because of the moon."
"The moon--"
"Yes, 'the moon, the inconstant moon'--don't you remember I told you?
The way the light strengthened in that gap of the hemlocks, and there
was my rock, and then the whiteness in the water. Her arm, or that
blouse--no, her jacket hid the blouse, she was face down. It must have
been her arm, that whiteness, don't you think?"
"I suppose. Cal, this isn't the time--"
"I know. Hunter will ask: 'Why didn't you go into the pond, if your
story is true? Why, Callista? She might have been alive.'"
"We'll deal with that in direct examination."
Public-domain text, read in full here on John Shaqi.
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