He would have said that, before 1928. In that year Father changed. And maybe the gray and harassed man could have entertained doubts earlier in his life on such an issue as capital punishment. He didn't have a closed or ungenerous mind; he couldn't afford to, a small-town doctor with two skittish growing boys and a wife who came to believe herself in deep other-worldly communication with Mary Queen of Scots. But many of Father's opinions were formed when he was a young man in the era of Teddy Roosevelt, and he didn't always remember to speak softly. Unlike his older brother Uncle Norden, who must have early learned the advantages of speaking softly at great length--anyhow Uncle Nord built up that accomplishment into a thundering good law practice. Father (before 1928) would likely have said if you asked him that criminals so hardened as to commit murder--oh, put 'em out. For the good of society. Human failures: the unfit--odd word much loved by the nineteenth century, used apparently in a sort of gentleman's agreement that no one was going to ask: unfit for what? Father would not have spoken so out of vindictiveness or lack of human feeling: just the impatient judgment of a busy man with troubles of his own, who accepted a number of antique notions because he grew up with them. That few hardened criminals ever commit murder, that most murderers have acted on a blinding impulse unlikely to recur--such facts would have been outside his mental territory, and unacceptable. Knowledge of what Father would have said was for Terence a bloodstream thing, no longer traceable to any remembered words. Like most people including doctors, Dr. Carl Mann had never witnessed an execution, nor known anyone well who wound up in jail. Gentlemen don't. After Elinor Mann's final breakdown and commitment, Father no longer announced his views with much positiveness. In that year 1928 the bottom fell out; Dr. Mann couldn't even get positive about Al Smith, in spite of a long-standing rage at the imbecilities of Prohibition. When not meeting the heavy demands of a country medical practice, he was beating out heart and brain in a private crucifixion, asking himself the wrong questions: _What could I have done differently? Where did I fail her?_ As though a clarification of his own past might even then help to restore Elinor's mind, that had never really tolerated the difficulties of living before it made permanent retreat into the smoke of paranoid fantasy. Terence's hands fell away from the piano, leaving the third Fugue unfinished. How had he arrived at contemplation of that time-eroded grief? The subject was Callista Blake, not Elinor Mann.