Mystery fiction; Trials (Murder) -- Fiction; United States -- Fiction
"I want more heat, I want more foodibles. I want more heat, I want more
foodibles." The old woman down the corridor had been silent a while, the
interval like the recession of a toothache. Hearing her resume, Callista
dropped her face on her knees, listening more or less. Listening is an
act of living. Listening, the human unit can at least say: I am not
dead, I am here, I can prove it, the current of life is dancing in the
delicate nerves, the brain recording, comparing, remembering--understand,
I am not dead!
"I want more heat, I want more foodibles." She sounded plaintive at the
moment, harping on a single string, a note in it much resembling
enjoyment. The name was Watson; the nearly baritone voice brought the
image of a body shriveled and small, crowding seventy perhaps. "I want
more heat, I want more foodibles." Watson must have been picked up
Sunday as a D&D, Callista supposed, raising hell somewhere in the chilly
streets until somebody called the wagon. She couldn't be drunk now, two
nights later, but the noise continued unchanged. She didn't belong here
of course. "Ya-_hoo_! Kiss my cold aching ass, you dirty-dirty-dirty--all
rise! All rise! I want more heat, I want more foodibles." Sooner or
later the fumbling dustmop of the law would pick her up, shake her out
into a different sort of institution. Or back to the streets and
whatever dim hole of a room she lived in--with small possessions? Old
photographs? Sewing-basket? Rocking-chair? "All rise!"
"You Watson, you shaddap." The voice of Kowalski.
"Fuck you, Polack, I want more heat, I want more foodibles."
"Listen here, you don't shaddap, I'm coming in there again."
"Yah!" Weary, diminuendo, but not actually a sound of yielding. Silence
followed, as dust settles after an eddy of wind.
Callista tried to review the course of the day, long in retrospect. Maud
Welsh all morning. Sergeant Shields, sober, exact, not unkind: four
bobby pins and a paper clip. Sergeant Peterson a bleached mechanism for
the production of not very good photographs, including one of the rock
and the pond by daylight, not the light of a troubled and hazy moon.
Trooper Curtis, plaster casts and fingerprints and so what? Sutherland
R. Clipp who did everything. Trooper Carlo San Giorgio the nice boy. And
Dr. Devens. None of them except Maud Welsh had remained very long on the
stand; Cecil who understood the nature of the conflict had let most of
them pass by with little or no questioning. Callista found she was
remembering too mechanically; names and faces would not coalesce to any
rationally useful larger pattern. Yet at some point--she thought it was
during the testimony of Cousin Maud--something had been done or said
that had lessened the opacity of the Blank, like a hint of dawn or false
dawn beyond a dirty window.
Public-domain text, read in full here on John Shaqi.
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