These primitive Italian divinities were at first mere abstractions,
simple nature-powers; but later they were Hellenized and received
plastic form. The Greeks and Romans had a common ancestry and the
amalgamation of their religions was an easy matter. The successive steps
in the process of blending the two forms of worship are historical. From
Cumæ, one of the oldest Greek settlements in Italy, the famous Sibylline
books found their way to Rome; and through these books the Greek gods
and their worship established themselves in Italy. The date of the
arrival of several of the Hellenic deities is well ascertained. The
first temple to Apollo was vowed in the year 351 A.U.C. To check a
lingering epidemic of pestilence and disease, the worship of Æsculapius
was introduced from Epidaurus into Rome in the year 463. In 549,
Cybele, the Idæan mother, was imported from Phrygia, in the shape of a
black stone, and was worshiped at Rome by order of the Sibylline books.
In various ways, the Hellenization of the Roman religion was
accomplished. The Decemviri, to whom the consulting of the Sibylline
books was intrusted, frequently interpreted them to mean that certain
foreign gods should be invited at once to take up their residence in
Rome.
The introduction of Greek literature also resulted in the importation of
Greek gods. The tragedies of Livius Andronicus and the comedies of
Nævius, founded upon Greek legends of gods and heroes, were presented in
Rome in the later years of the third century B.C. Fragments of Greek
literature also began to make their way into the Capital about this
time. Philosophers, rhetoricians, and grammarians flocked from Greece to
Italy and brought with them the works of Homer, Hesiod and the Greek
philosophers, whose writings were permeated with Greek mythology.
Grecian sculpture was as potent as Grecian literature in transforming
and Hellenizing the religion of Rome. The subjugation of the Greek
colonies in the south of Italy and the conquests of Greek cities like
Syracuse and Corinth in the East, brought together in Rome the
masterpieces of the Greek sculptors.
Public-domain text, read in full here on John Shaqi.
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