The Trial; Or, More Links of the Daisy ChainYonge, Charlotte M. (Charlotte Mary)
General
The Trial; Or, More Links of the Daisy Chain
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Fiction; English fiction -- 19th century; Trials (Murder) -- Fiction
She was half-way up the stairs. He had no alternative but to take his
hat and stride off in a tumult of dismay, first of all at the
rejection, and next at his own betrayal of himself. Had he guessed
what it would come to, would he ever have trusted himself in that
drawing-room? This was the meaning of it all, was it? He, the
sensible man of the family, not only to be such an egregious ass, but
to have made such a fool of himself! For he was as furious at having
committed himself to himself, as he was at his avowal to Averil--he,
who had always been certain of loving so wisely and so well, choosing
an example of the true feminine balance of excellence, well born, but
not too grand for the May pretensions; soundly religious, but not
philanthropically pious; of good sense and ability enough for his
comfort, but not of overgrown genius for his discomfort; of good looks
enough for satisfaction, but not for dangerous admiration; of useful,
but not overwhelming wealth; of creditable and not troublesome
kindred--that he should find himself plunged headlong into love by
those brown eyes and straight features, by the musical genius, talents
anything but domestic, ill-regulated enthusiasm, nay, dislike to
himself, in the very girl whose station and family he contemned at the
best, and at the very time when her brother was a convict, and her
sisters dependent! Was he crazed? Was he transformed? What frenzy
had come over him to endear her the more for being the reverse of his
ideal? And, through all, his very heart was bursting at the thought of
the wounds he had given her in his struggles against the net of
fascination. He had never imagined the extent of the provocation he
gave; and in truth, his habitual manner was such, that it was hard to
distinguish between irony and genuine interest. And now it was too
late! What should he be henceforth to her? What would Stoneborough
and his future be to him? He would, he believed, have taught himself
to acquiesce, had he seen any chance of happiness before her; but the
picture he drew of her prospects justified his misery, at being only
able to goad her on, instead of drawing her back. He was absolutely
amazed at himself. He had spoken only the literal truth, when he said
that he had been unconscious of the true nature of the feelings that
always drew him towards her, though only to assert his independence,
and make experiments by teasing in his ironically courteous way. Not
until the desolate indifference of her tone had incited him to show her
that Henry was not all that remained to her, had he arrived at the
perception that, in the late weeks of anxiety, she had grown into his
heart, and that it was of no use to argue the point with himself, or
think what he would do, the fact was accomplished--his first love was a
direct contradiction to his fixed opinions, he had offended her
irrevocably and made a fool of himself, and she was going away to
dreariness!
Public-domain text, read in full here on John Shaqi.
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