The Trial; Or, More Links of the Daisy ChainYonge, Charlotte M. (Charlotte Mary)
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The Trial; Or, More Links of the Daisy Chain
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Fiction; English fiction -- 19th century; Trials (Murder) -- Fiction
And at the first opportunity, Mary, for once in her life, administered
to Gertrude a richly-deserved reproof for sauciness and contempt of
improving conversation; but the consequence was a fancy of the idle
younglings to make Mary accountable for the 'infesting of their
evenings,' and as she was always ready to afford sport to the
household, they thus obtained a happy outlet for their drollery and
discontent, and the imputation was the more comical from his apparent
indifference and her serene composure; until one evening when, as the
bell rung, and mutterings passed between Aubrey and Gertrude, of 'Day
set,' and 'Cheviot's mountains lone,' the head of the family, for the
first time, showed cognizance of the joke, and wearily taking down his
slippered feet from their repose, said, 'Lone! yes, there's the rub! I
shall have to fix days of reception if Mary will insist on being so
attractive.'
Mary, with an instinct that she was blamed, began to be very sorry, but
broke off amid peals of merriment, and blushes that were less easily
extinguished; and which caused Ethel to tell each of the young ones
privately, that their sport was becoming boy and frog work, and she
would have no more of it. The Daisy was inclined to be restive; but
Ethel told her that many people thought this kind of fun could never be
safe or delicate. 'I have always said that it might be quite harmless,
if people knew where to stop--now show me that I am right.'
And to Aubrey she put the question, whether he would like to encourage
Daisy in being a nineteenth-century young lady without reticence?
However, as Mary heard no more of their mischievous wit, Ethel was
quite willing to let them impute to herself a delusion that the
schoolmaster was smitten with Mary, and to laugh with them in private
over all the ridiculous things they chose to say.
At last Flora insisted on Ethel's coming with her to make a distant
call, and, as soon as they were in the carriage, said, 'It was not only
for the sake of Mrs. Copeland, though it is highly necessary you should
go, but it is the only way of ever speaking to you, and I want to know
what all this is about Mary?'
'The children have not been talking their nonsense to you!'
'No one ever talks nonsense to me--intentionally, I mean--not even you,
Ethel; I wish you did. But I hear it is all over the town. George has
been congratulated, and so have I, and one does not like contradicting
only to eat it up again.'
'You always did hear everything before it was true, Flora.'
'Then is it going to be true?'
'O, Flora, can it be possible?' said Ethel, with a startled, astonished
look.
'Possible! Highly obvious and proper, as it seems to me. The only
doubt in my mind was whether it were not too obvious to happen.'
'He is always coming in,' said Ethel, 'but I never thought it was
really for that mischief! The children only laugh about it as the most
preposterous thing they can think of, for he never speaks to a woman if
he can help it.'
Public-domain text, read in full here on John Shaqi.
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