The Trial; Or, More Links of the Daisy ChainYonge, Charlotte M. (Charlotte Mary)
General
The Trial; Or, More Links of the Daisy Chain
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Fiction; English fiction -- 19th century; Trials (Murder) -- Fiction
Tom hurried on, drawing after him the young diplomate, who would have
hung back, questioning if there were any use in his witnessing the
dying struggles of a delirious man.
'Come, come,' peremptorily repeated Tom, 'there must be some last
words. Every moment is of importance.'
Yet his trust was shaken by the perception of the progress that death
had made in the miserable frame during his absence. The fixed
expression of malignity had been forced to yield to exhaustion and
anguish, the lips moved, but the murmurs between the moans were
scarcely articulate.
'He is almost past it,' said Tom, 'but there is the one chance that he
may be roused by my voice.'
And having placed his friend conveniently, both for listening and
making notes, he came close to the bed, and spoke in a tone of
compassion. 'Axworthy, I say, Axworthy, is there anything I can do for
you?'
There was a motion of the lid of the fast-glazing eye; but the terrible
face of hatred came back, with the audible words, 'I tell you, you old
fool, none of the Mays are to come prying about my place.'
Appalled by the deadly malice of the imprecation and the look that
accompanied this partial recognition of his voice, Tom was nerving
himself to speak again, when the dying man, as if roused by the echo of
his own thought, burst out, 'Who? What is it? I say Dr. May shall not
be called in! He never attended the old man! Let him mind his own
business! I was all night at the Three Goblets. Yes, I was! The new
darling will catch it--going off with the money upon him--' and the
laugh made their blood run cold. 'I've got the receipt;' and he made
an attempt at thrusting his hand under the pillow, but failing, swore,
shouted, howled with his last strength, that he had been robbed--the
pocket-book--it would hang him! and with one of the most fearful
shrieks of despair that had perhaps ever rung through that asylum of
pain, woe, and death, the wretched spirit departed.
Tom May turned aside, made a few steps, and, to the infinite surprise
of every one, fell helplessly down in a swoon. A nature of deep and
real sensibility, though repressed by external reserve and prudence,
could not with entire impunity undergo such a scene. The sudden
discovery, the vehement excitement forced down, the intense strain of
expectation, and finally, the closing horror of such a death, betraying
the crime without repenting of it, passing to the other world with
imprecations on the lips, and hatred in the glare of the eye, all the
frightfulness enhanced by the familiarity of the allusions, and the
ghastly association of the tones that had tempted and tyrannized over
his childhood, altogether crushed and annihilated his faculties, mental
and bodily.
Public-domain text, read in full here on John Shaqi.
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