The Trial; Or, More Links of the Daisy ChainYonge, Charlotte M. (Charlotte Mary)
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The Trial; Or, More Links of the Daisy Chain
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Fiction; English fiction -- 19th century; Trials (Murder) -- Fiction
In process of time, ladies, volunteers, and all, were assembled in the
great music-room for the concert; and Ethel, having worked hard in the
service of the company, thought her present duty lay with the sick
child, and quietly crept away, taking, however, one full view of the
entire scene, partly for her own satisfaction, partly in case Margaret
should be inclined to question her on what every one was doing.
There was the orchestra, whose erection Richard had superintended;
there was the conductor in his station, and the broad back of the
Cathedral organist at the piano, the jolly red visages of the singing
men in their ranks, the fresh faces of the choristers full of elation,
the star from London, looking quiet and ladylike, courteously led to
her place by George Rivers himself. But, for all his civility, how
bored and sullen he looked! and how weary were poor Flora's smiles,
though her manner was so engaging, and her universal attention so
unremitting! What a contrast to the serene, self-enfolded look of
happiness and prosperity on the pretty youthful face of Blanche, her
rich delicate silk spreading far beyond the sofa where she sat among
the great ladies; and her tall yellow-haired husband leaning against
the wall behind her, in wondering contemplation of his Blanche taking
her place in her own county.
Farther back, among the more ordinary herd, Ethel perceived Mrs. Pugh,
bridling demurely, with Tom on guard over her on one side, and Henry
Ward looking sulky on the other, with his youngest sister in his
charge. The other was looking very happy upon Leonard's knee, close to
Averil and Mary, who were evidently highly satisfied to have coalesced.
Averil was looking strikingly pretty--the light fell favourably on her
profuse glossy hair, straight features, and brilliant colouring; her
dark eyes were full of animation, and her lips were apart with a smile
as she listened to Leonard's eager narration; and Ethel glanced towards
Harry to see whether he were admiring. No; Harry was bringing in a
hall arm-chair in the background, for a vary large, heavy,
vulgar-looking old man, who seemed too ponderous and infirm for a place
on the benches. Richard made one of a black mass of clergy, and Aubrey
and Gertrude had asserted their independence by perching themselves on
a window-seat, as far as possible from all relations, whence they
nodded a merry saucy greeting to Ethel, and she smiled back again,
thinking her tall boy in his gray tunic and black belt, and her plump
girl in white with green ribbons, were as goodly a pair as the room
contained.
But where was the Doctor?
Ethel had a shrewd suspicion where she should find him; and in the
nursery he was, playing at spillekens with his left hand.
Public-domain text, read in full here on John Shaqi.
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